“Peace on the Silver Screen”: Can the Film Industry Promote Dialogue in the Israeli-Palestinian Conflict?

This study examined how the film industry, Israeli and Palestinian in particular, can be used to promote intergroup dialogue and foster peace in the context of the long-lasting intractable conflict between Israelis and Palestinians. I focused on content analysis of two films, one produced by Israeli and the other by Palestinian filmmakers. The reason for choosing these films is that both films were released after the Oslo Accords during a dynamic period. The analysis is based on the way each group represented each other, whether they encourage intergroup dialogue within the films, and what their view was on the ongoing peace negotiations. These questions paved the way for answering the question of whether the film industry can promote peace in the Israeli-Palestinian conflict. The analysis was grounded on Gordon Allport’s concept of Contact Hypothesis – further advanced by Ilfaz Maoz – which designates that intergroup contact can be effective in reducing negative stereotypes between...Show moreThis study examined how the film industry, Israeli and Palestinian in particular, can be used to promote intergroup dialogue and foster peace in the context of the long-lasting intractable conflict between Israelis and Palestinians. I focused on content analysis of two films, one produced by Israeli and the other by Palestinian filmmakers. The reason for choosing these films is that both films were released after the Oslo Accords during a dynamic period. The analysis is based on the way each group represented each other, whether they encourage intergroup dialogue within the films, and what their view was on the ongoing peace negotiations. These questions paved the way for answering the question of whether the film industry can promote peace in the Israeli-Palestinian conflict. The analysis was grounded on Gordon Allport’s concept of Contact Hypothesis – further advanced by Ilfaz Maoz – which designates that intergroup contact can be effective in reducing negative stereotypes between groups in conflict and mutual prejudices. My findings reveal that the Israeli film contributed to creating one of the necessary conditions to reach peace. Although, the Palestinian focus is still on forming a national identity and longing for the past. This investigation adds to our understanding that film industries can serve as a platform that can provoke dialogue and contact among conflicting groups. Nevertheless, Israeli and Palestinian films released within the Oslo Process failed in choosing for this opportunity. Based on these examples, it is possible to conclude that changing conflict-driven narratives and stereotypes of the Other is a major challenge that societies face if they are willing to work towards peacemaking.Show less

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“Peace on the Silver Screen”: Can the Film Industry Promote Dialogue in the Israeli-Palestinian Conflict?