Visual Guides and Bodily Metaphors: Understanding a Philosophical Text Through Prints.: The case of the frontispieces from René Descartes' Opera philosophica, 1664, Amsterdam, Janssonius &amp; Weyerstraten

The research focuses on the frontispieces from René Descartes' Opera philosophica, printed in 1664 in Amsterdam by Janssonius & Weyerstraten, addressing the role that images play in the understanding of a philosophical text. The first part offers a visual analysis and identification of the two prints, attributing them to artist Cornelis Hellemans. A brief account of the circulation and reprinting of these engravings is also given. The second part looks at the two prints from an embodied cognition perspective, investigating a deeper layer of visual understanding through bodily metaphors. The gestures and countenance of the figures are analyzed in depth through the theories of Lakoff & Johnson. Lastly, the third part investigates the role that images play in reading comprehension through contemporary accounts and studies, especially those pioneered by Glenberg. The possibilities and limits of the embodied cognition framework for art historical research are also taken into...Show moreThe research focuses on the frontispieces from René Descartes' Opera philosophica, printed in 1664 in Amsterdam by Janssonius & Weyerstraten, addressing the role that images play in the understanding of a philosophical text. The first part offers a visual analysis and identification of the two prints, attributing them to artist Cornelis Hellemans. A brief account of the circulation and reprinting of these engravings is also given. The second part looks at the two prints from an embodied cognition perspective, investigating a deeper layer of visual understanding through bodily metaphors. The gestures and countenance of the figures are analyzed in depth through the theories of Lakoff & Johnson. Lastly, the third part investigates the role that images play in reading comprehension through contemporary accounts and studies, especially those pioneered by Glenberg. The possibilities and limits of the embodied cognition framework for art historical research are also taken into consideration here.Show less

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Visual Guides and Bodily Metaphors: Understanding a Philosophical Text Through Prints. The case of the frontispieces from René Descartes' Opera philosophica, 1664, Amsterdam, Janssonius & Weyerstraten