Patterns in Speech and Music: the Technical Rationale of Slope Variability

Kirkpatrick claimed that French keyboard music sounded like French. Hall (1953) talked about a resemblance of Elgar’s Music and the intonation of British speech. Both discussed instrumental music and a likeness with the speech, which has remained controversial. This thesis investigates the robustness of the metrics used for the two experiments in rhythm and melody to provide information about their linguistic origins. To this end, this thesis replicates the two experiments of Patel et al. (2006) regarding the rhythm and melody of British English and French speech and instrumental music. In addition, a third parameter labelled as “slope” was tested to investigate if melody, when taking into consideration the durational property of the melodic interval, provides the same results as the two previous replicated experiments. We replicated the findings for rhythm and melody reported in Patel et al. (2006). The slope parameter, however, showed a reverse pattern raising some critical...Show moreKirkpatrick claimed that French keyboard music sounded like French. Hall (1953) talked about a resemblance of Elgar’s Music and the intonation of British speech. Both discussed instrumental music and a likeness with the speech, which has remained controversial. This thesis investigates the robustness of the metrics used for the two experiments in rhythm and melody to provide information about their linguistic origins. To this end, this thesis replicates the two experiments of Patel et al. (2006) regarding the rhythm and melody of British English and French speech and instrumental music. In addition, a third parameter labelled as “slope” was tested to investigate if melody, when taking into consideration the durational property of the melodic interval, provides the same results as the two previous replicated experiments. We replicated the findings for rhythm and melody reported in Patel et al. (2006). The slope parameter, however, showed a reverse pattern raising some critical questions about the validity of the metrics to portray statistical evidence of national characteristics in speech and music.Show less

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Patterns in Speech and Music: the Technical Rationale of Slope Variability