The Challenged Authenticity of a seemingly Idyllic Island: Understanding Dutch Immigration on Bonaire through the Lens of Sound

Bonaire became part of the Netherlands as a special municipality on the 10th of October 2010. Since this institutional change, Bonaire has experienced an influx of Dutch immigrants, leading to significant transformations on the island which has sparked debates about the loss of Bonairian authenticity. This thesis explores these cultural differences through the concept of acoustemology, as proposed by Steven Feld. The perception of noise and sound is culturally dependent. This division between noise and sound contains a hierarchy of sounds, that is parallel to the hierarchy in the dominant meaning-making process that comes from a European Dutch hegemony on the island. What is considered noise on Bonaire is shaped through a Western lens. This implies that immigrants who relocate to Bonaire unknowingly bring their cultural perspectives on noise and sound with them. However, they do this unknowingly, which is the result of what Gloria Wekker calls white innocence. Drawing on two months...Show moreBonaire became part of the Netherlands as a special municipality on the 10th of October 2010. Since this institutional change, Bonaire has experienced an influx of Dutch immigrants, leading to significant transformations on the island which has sparked debates about the loss of Bonairian authenticity. This thesis explores these cultural differences through the concept of acoustemology, as proposed by Steven Feld. The perception of noise and sound is culturally dependent. This division between noise and sound contains a hierarchy of sounds, that is parallel to the hierarchy in the dominant meaning-making process that comes from a European Dutch hegemony on the island. What is considered noise on Bonaire is shaped through a Western lens. This implies that immigrants who relocate to Bonaire unknowingly bring their cultural perspectives on noise and sound with them. However, they do this unknowingly, which is the result of what Gloria Wekker calls white innocence. Drawing on two months of fieldwork, this research explains these connections through the lived experiences of several Bonairian Locals. Their realities from the base of the practice of soundscaping that is used to illustrate how perspectives on sound may differ between cultures. These soundscapes were placed on a map to contextualise Bonaire as an interconnected space. The research adopts a multimodal approach in another way, featuring an ethnographic film that highlights the issues faced by local participants and explores the evolving relationship between them and the European Dutch researcher, employing visual ethnographic methods. The study employs self-reflexivity to analyse this dynamic. The argument made is that an understanding of the local Bonairian lived experience can be obtained through the lens of analysing sound and this understanding is essential in the building of relationships between Bonairian locals and Dutch immigrants.Show less

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The Challenged Authenticity of a seemingly Idyllic Island: Understanding Dutch Immigration on Bonaire through the Lens of Sound