#We’reLaughingSoWe'reNotGivingUp: The Functions of Digital Ukrainian Humor in the First Year of Russia’s Full-scale Invasion

Russia’s invasion of Ukraine is certainly not the first instance in which humor emerged as a by-product of political turmoil. In times of extreme societal change, people must adapt physically and mentally to survive. Yet, because these adjustments are not immediate, one reaction that can help people acclimate to new circumstances is humor. In answering the research question “What were the functions of digital Ukrainian humor in the first year of Russia’s full-scale invasion of Ukraine?”, this thesis finds that coping, cohesion, and criticism have emerged in as humor’s primary uses. Specifically, humor functions to create a buffer between old and new realities, define in- and out-groups, and form a medium for commentary. Yet, beyond this, through thematic discourse analysis, the thesis at hand also identifies the sub-categories of humor functions which help explain the means through which humor can meet the stress-relieving, superiority-affirming, or incongruity-resolving needs of...Show moreRussia’s invasion of Ukraine is certainly not the first instance in which humor emerged as a by-product of political turmoil. In times of extreme societal change, people must adapt physically and mentally to survive. Yet, because these adjustments are not immediate, one reaction that can help people acclimate to new circumstances is humor. In answering the research question “What were the functions of digital Ukrainian humor in the first year of Russia’s full-scale invasion of Ukraine?”, this thesis finds that coping, cohesion, and criticism have emerged in as humor’s primary uses. Specifically, humor functions to create a buffer between old and new realities, define in- and out-groups, and form a medium for commentary. Yet, beyond this, through thematic discourse analysis, the thesis at hand also identifies the sub-categories of humor functions which help explain the means through which humor can meet the stress-relieving, superiority-affirming, or incongruity-resolving needs of groups and individuals in political turmoil. In turn, the thesis reaffirms that Russia’s invasion of Ukraine could be labeled a ‘TikTok War’, as the social media became the primary platform for the sharing of Ukrainian humor. In studying visual data, the research contributes to spotlighting the integral role of images as tools of political influence in the digital age and as artifacts the study of which enhances scholars’ holistic understanding of the ramifications of Russia’s invasion. With these findings, humor can be appreciated as a highly nuanced and conscious part of Ukrainian resistance and social resilience.Show less

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#We’reLaughingSoWe'reNotGivingUp: The Functions of Digital Ukrainian Humor in the First Year of Russia’s Full-scale Invasion