Indonesian popular music and identity expressions: Issues of class, Islam and gender

In this thesis I will research how young Indonesians express their identities or how they create new identities in the period from the 1990s until today and I will examine this through forms of Indonesian popular music. Popular music is an important site of cultural struggle and can reveal much about class, gender and other social divisions. That is why I want to zoom in on these social divisions by dividing them in class, religion and gender, to see how each of them relates to popular music and identity formation. I choose to focus on class, religion and gender because these have undergone drastic and interesting transformations during the period I want to examine, allowing people to reconsider their place or someone else’s in the social ladder, as a religious person or as a woman or man in society. Popular music and the way people consume it can reveal a lot about people’s thoughts and conceptions on class, religion and gender in contemporary Indonesia. The period from the 1990s...Show moreIn this thesis I will research how young Indonesians express their identities or how they create new identities in the period from the 1990s until today and I will examine this through forms of Indonesian popular music. Popular music is an important site of cultural struggle and can reveal much about class, gender and other social divisions. That is why I want to zoom in on these social divisions by dividing them in class, religion and gender, to see how each of them relates to popular music and identity formation. I choose to focus on class, religion and gender because these have undergone drastic and interesting transformations during the period I want to examine, allowing people to reconsider their place or someone else’s in the social ladder, as a religious person or as a woman or man in society. Popular music and the way people consume it can reveal a lot about people’s thoughts and conceptions on class, religion and gender in contemporary Indonesia. The period from the 1990s until the present knew for example a remarkable growth of the Indonesian middle class who adopted a consumerist lifestyle and wanted to set themselves apart from the lower class, using popular music among other things. Concerning religion, I will focus on the developments of Islam in Indonesia, the religion of roughly 90% of the country's population. The fall of Suharto has been a significant turning-point for religious expression, because for much of the New Order, Islam was marginalized especially in the political sphere and Islamic organizations were restricted. After 1998, Indonesian Muslims could express themselves more freely, leading to an amplified process of Islamization which includes the creation of new Islamic political parties, the rise of radical Islam and the expression of religious identities in public that could not be expressed before, particularly extremist ones. Moreover, in the 21st century Muslim pop culture has flourished immensely and popular music has helped in the process of articulating religious identity. Finally, issues of gender, including for example femininity, masculinity and the role of women in the family have become a more prominent subject of discussions and debates in the past two decades. Women's rights groups and opinions about feminism have more political support than before, but so has (conservative) Islam. This leads to diverse opinions about popular female artists who are regarded as a role model to some and an actor of immorality to others. Popular music is a strong medium to spur debates about gender and to introduce new images of how young men and women can, or should, dress and behave. Consequently, this makes young Indonesians rethink and possibly reshape their gender identities.Show less

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Indonesian popular music and identity expressions: Issues of class, Islam and gender