DEGUCHI NAO’S KAMIGAKARI AS FOUNDATION FOR CHARISMA AND RITUAL EFFICIENCY.

The intent of this thesis is to use a case study for possible new approaches to shinshūkyō 新宗教　(“new religions”) in Japan. In particular, this thesis aims at investigating the nature of kamigakari　神懸り, loosely translatable as “divine possession”, for Deguchi Nao 出口なお　(1837-1918), foundress of the ritual organization in Japan called Ōmotokyō大本教. A close-up on the origins of kamigakari is given in order to understand better the personal circumstances around Deguchi Nao’s experience and how it functioned for her. Kamigakari was the experience through which Deguchi Nao wrote down the Ofudesaki　お筆先, a book inspired by the deity she claimed to be inside her, Ushitora no Konjin　丑寅の金神. In the book she called for radical spiritual change for people as well as for kami 神　(deities). The second chapter is dedicated to the book and its worldview. While the third chapter investigates the connections between shamanism and shinshūkyō, the last chapter analyzes the particular features of Deguchi Nao...Show moreThe intent of this thesis is to use a case study for possible new approaches to shinshūkyō 新宗教　(“new religions”) in Japan. In particular, this thesis aims at investigating the nature of kamigakari　神懸り, loosely translatable as “divine possession”, for Deguchi Nao 出口なお　(1837-1918), foundress of the ritual organization in Japan called Ōmotokyō大本教. A close-up on the origins of kamigakari is given in order to understand better the personal circumstances around Deguchi Nao’s experience and how it functioned for her. Kamigakari was the experience through which Deguchi Nao wrote down the Ofudesaki　お筆先, a book inspired by the deity she claimed to be inside her, Ushitora no Konjin　丑寅の金神. In the book she called for radical spiritual change for people as well as for kami 神　(deities). The second chapter is dedicated to the book and its worldview. While the third chapter investigates the connections between shamanism and shinshūkyō, the last chapter analyzes the particular features of Deguchi Nao’s kamigakari, which, including the co-founder of Ōmotokyō, Deguchi Onisaburō 出口王仁三郎 (1871-1948), worked through the dual principle based on the notions of “male with a transformed nature” (henjōnanshi 変性男子), which refers to Deguchi Nao, and “female with a transformed nature” (henjōnyoshi変性女子), used to describe Onisaburō’s role.Show less

Leiden University Student Repository

Documents

In Collections

DEGUCHI NAO’S KAMIGAKARI AS FOUNDATION FOR CHARISMA AND RITUAL EFFICIENCY.