This paper offers an analysis of the differences and commonalities between Abdel Fattah al-Sisi and Gamel Abdel Nasser, a comparison sparked by the Egyptian Arab Spring. They are compared on their...Show moreThis paper offers an analysis of the differences and commonalities between Abdel Fattah al-Sisi and Gamel Abdel Nasser, a comparison sparked by the Egyptian Arab Spring. They are compared on their paths to power, their politics, their visions and the place they hold within the Egyptian imagination. This paper finds that the comparison is only viable with regards to their rise to power and the public perception and propaganda related to both men, and that the reality of their governance is not comparable.Show less
This cross-disciplinary thesis investigated the use of metaphors in modern and contemporary Lebanese literature which portrays Beirut as a woman, and violence or turmoil within the city as sexual...Show moreThis cross-disciplinary thesis investigated the use of metaphors in modern and contemporary Lebanese literature which portrays Beirut as a woman, and violence or turmoil within the city as sexual assaults. Both of these metaphors were identified in texts by Zena el Khalil, Elias Khoury and Etal Adnan, along with shorts from Beirut Noir. Lakoff’s theory of metaphor was used to underline the significant interactions between figurative language, knowledge and real action which motivated the research. The mother-virgin-whore triad was found overly simplistic to describe Beirut’s figuration, although interestingly non-normative characterisations such as corrupted mother and once-virgin arise in the literature. However, Beirut has been consistently imagined as a ‘whore’ throughout history. This stereotyping has a particularly complex impact on the allocation of blame and pity in the related literary imagery of Beirut’s ‘rape’, which was further dissected through feminist and critical theory. Overall, an interrelation between machoistic violence and the destruction city was identified, exemplified in Civil War literature but arising in broader contexts. This thesis' intersectional question merited a broad, multi-stranded answer, concluding that imaginaries of women and cities alike must be nuanced and multiple in order to escape harmful stereotyping which can ‘justify’ destructive action.Show less
The thesis deals with the reception of Lā Sakākīn fī Maṭābikh Hādhihi al-Madīna, a novel about an aristocratic family living in Aleppo, that disintegrates more and more due to the influence of the...Show moreThe thesis deals with the reception of Lā Sakākīn fī Maṭābikh Hādhihi al-Madīna, a novel about an aristocratic family living in Aleppo, that disintegrates more and more due to the influence of the ruling party. It was composed by Syrian writer Khaled Khalifa, and published in 2013. For the research project, a combination of online sources was examined, namely official reviews published on websites of newspapers, and reader responses on social networking site Goodreads. After giving an overview of reception theory and Arabic literary criticism over time, the method used for analysing the texts is described. It was derived from an article by Wendy Griswold, in which she divided readers into different audiences and described their evaluations. The same is done in the thesis, readers are divided according to the language they communicate in (Arabic vs. English / Dutch), as well as concerning the way they publish their reactions (use of social media vs. official websites). Succeeding chapters discuss important findings, firstly with regard to literary value, secondly regarding politics, and thirdly concerning social morals. Its excellent reception in the Arabic world was called into question, as well as the assumption that ‘Western’ critics do not comment on the literary value of Arabic novels. The thesis concludes by summarising its results, of which the most outstanding may be the critical attitude towards authority of users of social media in combination with their, on the whole, conservative ideas.Show less
