In my thesis I explored the employment and development of the Germanic *ga-prefix through history, from Gothic into Old and modern (19th century) Dutch.
This thesis analyses formal kimonos for young women and their prints. This paper attempts to draw a connection between femininity and symbolism through the use of flowers and colours.
Discussing the work of Japanese director Hirokazu Kore-eda in After Life (1998), Nobody Knows (2004), and, most importantly, Shoplifters (2018), this thesis aims to expand on the way the hybrid...Show moreDiscussing the work of Japanese director Hirokazu Kore-eda in After Life (1998), Nobody Knows (2004), and, most importantly, Shoplifters (2018), this thesis aims to expand on the way the hybrid documentary genre is defined by contemporary academic literature. Furthermore, it offers a different perspective on the lens through which we view Kore-eda’s recent filmography.Show less
