This thesis examines how Ruth Ware's The Turn of the Key (2019), Floria Sigismondi's The Turning (2020) and Mike Flanagan's The Haunting of Bly Manor (2020) portray the governess as the true victim...Show moreThis thesis examines how Ruth Ware's The Turn of the Key (2019), Floria Sigismondi's The Turning (2020) and Mike Flanagan's The Haunting of Bly Manor (2020) portray the governess as the true victim of the story, instead of the children, as perhaps happens in Henry James's The Turn of the Screw (1898).Show less