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Keijser, A.S.
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黑暗反映: Socio-political commentary on contemporary China in Only the River Flows
Subaltern sappelaars(Vers)
Visualising Violence
The ‘Chinafication’ of Hollywood films
Pionierschap In Rock ‘N Roll Muziek
Genderrollen en machtsdynamiek in De Droom van de Rode Kamer
De jonge Jia vrouwen
Gedichten vanuit de fabriek: hoe de thematiek in de poëzie van de vrouwelijke arbeidsmigrantendichters Zheng Xiaoqiong, Wu Xia en Ji Zhishui zich tot elkaar verhoudt
Subtitling cultural references in Chinese films: A case study of The Mermaid (2016)
Het Daseinisme
Het religieuze landschap in De Droom van de Rode Kamer
Stereotypering van Chinees-Amerikaanse Families in Animatiefilms
Betoog voor de handel: een interpretatie van hoofdstuk 129 van de Shiji
China impact: How Genshin Impact's Liyue Resembles CCP's Ideals
Thematiek in de korte verhalen van Mu Cao
THE SEARCH FOR IDENTITY IN NEW TAIWANESE CINEMA
Notions of "xiangtu cinema" in Kaili Blues
De Rode Lantaarn: Adapteren en Reflecteren
De natuur, machthebbers, de plaatselijke bevolking en de stedeling: spelers in de Chinese ecocinema
Social criticism in Han Song's science fiction: Fire Star over America
Ethnic Representation in Contemporary Chinese Youth Literature
Kano: Film about Pinnacle of a Beautiful Era or Inappropriate Glorification of Painful Memory? The Public Debate about the Place of the Japanese Era in Taiwanese Cultural Memory Caused by the Film Kano
Inside the Heart of the Taiwanese High School. The Representation of the Classroom and its Students in Four Taiwanese High School Films
Gendered Self-Consciousness in China's Sixth Generation Women's Cinema: a social semiotic analysis of female consciousness and self-identity in films from the independent and commercial sector
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