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Filling in the Epistemological Gap
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Sapphic Legacy in Early Modernist Female Poets: Renée Vivien and H.D.
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Robots as morally superior slaves across two literary case studies
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SUPPORTING CHARACTERS GAIN A VOICE: CONTRASTING PORTRAYALS OF ACHILLES IN THE SONG OF ACHILLES AND THE SILENCE OF THE GIRLS
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Sacrificial Rites in Modern Contexts
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Class on The Surface and Beyond: An Analysis of Normal People and My Brilliant Friend Using Pierre Bourdieu’s Theory on Capitals
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Carl Gustav Jung’s Archetypes the Maiden and the Mother in W.B. Yeats’s Irish Fairy Tales
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The Colonial Exiles of New Zealand: Settler Displacement in Katherine Mansfield's Short Stories
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Intervening Bodies: Disability, Queerness, and Crip Theory in Virginia Woolf’s On Being Ill, Mrs. Dalloway, and Orlando
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A Change of Dominant in Rushdie's Recent Fiction
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INTERTEXTUALITY IN THE COEN BROTHERS’ O BROTHER, WHERE ART THOU? AND THE BIG LEBOWSKI: A POSTMODERN QUILT OF GENRE, PASTICHE, MASCULINITY, AND CONTEMPORARY ADAPTATIONS
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Transforming Ovid: Unstable Gender Identities, the Subversion of Categories, and the Liberation of Same-Sex Relationships in Ali Smith’s Girl meets boy
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Racial discrimination and beauty standards: Chimamanda Ngozi Adichie’s Americanah in context
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Of Mind and Matter: The Mirroring of Mental and Physical Manifestations of the Absurd in Samuel Beckett’s Waiting for Godot
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Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England
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Persisting Partition: Analyzing South Asia's Partition Memory and Trauma through the Characters in Amitav Ghosh's The Shadow Lines, Salman Rushdie's Midnight's Children, and Kamila Shamsie's Salt and Saffron
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Classical Reception in Ralph Ellison's Invisible Man and Toni Morrison's Song of Solomon
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Deconstructing Femininity: Violence and Madness in Angela Carter's Novels
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"Those Crazy White People": Racial Passing in Contemporary Literature and Film
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Evocations of Violence in Selected poems by Seamus Heaney and W. B. Yeats
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"Once victim, always victim" - Victimization and Purity in Hardy's Tess of the D'Urbervilles
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Solitude, Sociality and Self-Concept in 'Mrs Dalloway' and 'Good Morning, Midnight'
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The Function of the Mirror Image in the Perception of the Self in Virginia Woolf’s Fiction
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"The Attempt was All": Trauma and the Quest to Articulate the Unspeakable in Ian McEwan's Novels
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