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- Dreams of a Better Life: Hope in T. S. Eliot's The Waste Land (1922), W. B. Yeats's The Tower (1928), and Ezra Pound's Eleven New Cantos (1934)
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- Sex Perversion and Censorship: How Billy Wilder Smuggled Taboo Subjects Into Some Like It Hot (1959) and Got Away With It
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- SUPPORTING CHARACTERS GAIN A VOICE: CONTRASTING PORTRAYALS OF ACHILLES IN THE SONG OF ACHILLES AND THE SILENCE OF THE GIRLS
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- Class on The Surface and Beyond: An Analysis of Normal People and My Brilliant Friend Using Pierre Bourdieu’s Theory on Capitals
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- Violence, Humanity, and Compassion: Portrayals of Achilles and Patroclus in The Song of Achilles and The Silence of the Girls
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- A Narrative Reclaimed: Madeline Miller’s Circe and Margaret Atwood’s The Penelopiad in relation to Homer’s Odyssey
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- Intervening Bodies: Disability, Queerness, and Crip Theory in Virginia Woolf’s On Being Ill, Mrs. Dalloway, and Orlando
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- INTERTEXTUALITY IN THE COEN BROTHERS’ O BROTHER, WHERE ART THOU? AND THE BIG LEBOWSKI: A POSTMODERN QUILT OF GENRE, PASTICHE, MASCULINITY, AND CONTEMPORARY ADAPTATIONS
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- Transforming Ovid: Unstable Gender Identities, the Subversion of Categories, and the Liberation of Same-Sex Relationships in Ali Smith’s Girl meets boy
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- Of Mind and Matter: The Mirroring of Mental and Physical Manifestations of the Absurd in Samuel Beckett’s Waiting for Godot
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- Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England