Leiden University Student Repository

The Power of New Media: Propagating Territorial Disputes through Skincare in the Face of Globalisation

The Yunnan School of Painting

Museum as Method: Dutch Collections of Chinese Art (1850-1950)

Searching for the Dreamlike Image of West Lake

The Orchid as a Female Metaphor

A Chinese Cultural Identity in Contemporary Chinese Art

Curating a Symbolic Wedding: The Dialogue between Indigenous Communities and State in Contemporary Taiwan

Curating a Symbolic Wedding:The Dialogue between Indigenous Communities and State in Contemporary Taiwan

Tea in the Tang and Song: The change of tea in time and space

The Recovery of Cultural Heritage Objects as a Source of Soft Power in China

Analysing Landscape and Faces: The Practice of Xiangdi and Xiangren in Medieval and Late Imperial Chinese Society

Gendering Contemporary Chinese Art: Body and Politics

Empirical Knowledge about Nature: Calligraphy and Flora and Fauna Paintings during the Song Dynasty (960 - 1279)

Mount Sumeru Being Contained in a Mustard Seed: The Culture of Windows in Early Modern China (1500-1800)

Cherishing Characters from Top to Bottom

The Landscape of Contemporary Chinese Artists: An Evidence of the Transformation of Space and Time

The Qianlong Emperor's Masquerade: The Politics of His Many Faces

A Critical Study of “Chinese Painting” in Europe, Japan and China (1882-1937)

Conflicts, Dialogues, and Mutual Constitutions: Filial Piety of Sons and Daughters in Buddhist and Confucian Thoughts and Practices in Medieval and Late Imperial China

The Availability of Medical Care During the Song Dynasty 960 - 1279

Returning Home: Three case studies of the representation of home in recluse paintings by Zhao Mengfu, Ni Zan and Shen Zhou

The Image of the Lion in China: From the Fierce Guard to a Cuddly Friend.

Gender and Representation: Women on Chinese Propaganda Posters

The Becoming of a Master: Qiu Ying’s Relationship with the Literati Society and the Market