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“The pain is her penance”: A Study of Female Victimhood in The Madgalene Sisters, Philomena and Small Things Like These
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L'écho d'un écho
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“It’s Me, Hi, I’m the Problem, It’s Me”: Taylor Swift as a Fourth-Wave Confessional Poet
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Dystopian Dissymmetry
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Out of Context
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Exploring Identity Through the Gothic: The Uncanny and Doubling in Gaiman’s Coraline Compared to Selick’s Film Adaptation
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Addressing Absence in the Archives
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The Destructive Force of “Clock Time”
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RECONSIDERING RECONCILIATION ON THE KOREAN PENINSULA: CONFLICT RESOLUTION IN COLONIAL KOREAN LITERATURE
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Fainting and Death: Representations of Passivity in Richardson’s Pamela and Clarissa
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‘A great big handsome hunk of movieland manhood’
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From Ghost Story to Love Story
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“Stately Release”: How the Abject Reproductive System Represents the Lost Future in Ulysses
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Longing Bodies and Suffering Souls: Reassessment of Irish Gender Identities in Sally Rooney's Normal People and Beautiful World, Where Are You
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Ein Bild von Trümmerkultur in deutschen Filmen: eine Analyse von drei Filmen der frühen Nachkriegszeit (1947-1948).
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The Formation, Establishment, and Application of the Political Ode in Seventeenth-Century England
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Transvaluing the Monster and the Human: Zombies as Multifaceted Symbols of Critique on American Society in Romero’s Living Dead Series.
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“Never Mind the Singing”
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Framing Memory: An Exploration of Memory and Autobiography in Steven Spielberg’s The Fabelmans, Andrew Haigh’s All of Us Strangers and Charlotte Wells’s Aftersun
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A Taste of Your Own Medecine
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FEMINISM, LOVE, DECEPTION: An Analysis of the Reimagination of Winston’s Lover from Nineteen Eighty-Four (1949), the Film Adaptation 1984 (1984) and the Feminist Retelling Julia (2023)
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The Tragedy of Macbeth - A Unique Adaptation of Jacobean Tragedy
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When Mosses Speak
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Dreams of a Better Life: Hope in T. S. Eliot's The Waste Land (1922), W. B. Yeats's The Tower (1928), and Ezra Pound's Eleven New Cantos (1934)
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