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: Witches and Women: A Representation of Jacobean Witchcraft Beliefs in Shakespeare's Macbeth

: Quentin Tarantino´s endings analysed through auteur theory.

: Filling in the Epistemological Gap

: Sapphic Legacy in Early Modernist Female Poets: Renée Vivien and H.D.

: Personality Testing Gone Wrong

: Behind the Female Gothic Veil: An Exploration of Female Repression Within the Domestic Sphere and the Absence of Maternal Figures in The Mysteries of Udolpho and Jane Eyre

: Cosmic Horror: the Shift from Outer to Inner Threats from Lovecraft to The Magnus Archives

: The Birth, Life, and Demise of the ‘‘Dumb Blonde’’ Stereotype in American cinema

: Glee: The Representation of Gay Speech in Kurt Hummel

: The Impact of the Gangsta Rap Gennre on Hip-hop Culture

: “Memory Babe”, the Narrative of Memory in Jack Kerouac's On the Road.

: Contrasting Commentary: The Criticism of High and Low Estates in Robert Henryson's Morall Fabillis

: Of Horses and Men: Talking Equines as Metaphors for the Working Class in Anna Sewell’s Black Beauty and Lev Tolstoj’s Strider: the Story of a Horse

: Insane or Drive to Insanity: Mental Health, Androcentrism, and Colonialism in Connection to Jane Eyre’s Bertha Mason and Wide Sargasso Sea’s Antoinette Cosway

: Beauty and the Beast:

: Sir Gawain and the New Knight

: The Sexual Objectification of Female Characters by Male Authors in Comparison to Female Authors

: Generative theories and usage-based approaches to first language acquisition and speech segmentation

: Arcane's Pact with the Devil

: Ofermod in The Silmarillion

: “Leasan Spellan”

: Queerly Confused: A Sociolinguistic Exploration of The Meaning and Context of the Word “Queer.”

: “Āfӯsed on forðweġe”: How the Dreamer in The Dream of the Rood is Transformed and Becomes an Inspiration for the Reader

: Referential Language in the Letters of Francis Napier (1758–1823)

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