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(1 - 24 of 432)
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Exploring Identity Through the Gothic: The Uncanny and Doubling in Gaiman’s Coraline Compared to Selick’s Film Adaptation
Addressing Absence in the Archives
The Destructive Force of “Clock Time”
RECONSIDERING RECONCILIATION ON THE KOREAN PENINSULA: CONFLICT RESOLUTION IN COLONIAL KOREAN LITERATURE
Fainting and Death: Representations of Passivity in Richardson’s Pamela and Clarissa
‘A great big handsome hunk of movieland manhood’
From Ghost Story to Love Story
“Stately Release”: How the Abject Reproductive System Represents the Lost Future in Ulysses
Longing Bodies and Suffering Souls: Reassessment of Irish Gender Identities in Sally Rooney's Normal People and Beautiful World, Where Are You
Transvaluing the Monster and the Human: Zombies as Multifaceted Symbols of Critique on American Society in Romero’s Living Dead Series.
“Never Mind the Singing”
Framing Memory: An Exploration of Memory and Autobiography in Steven Spielberg’s The Fabelmans, Andrew Haigh’s All of Us Strangers and Charlotte Wells’s Aftersun
FEMINISM, LOVE, DECEPTION: An Analysis of the Reimagination of Winston’s Lover from Nineteen Eighty-Four (1949), the Film Adaptation 1984 (1984) and the Feminist Retelling Julia (2023)
When Mosses Speak
Dreams of a Better Life: Hope in T. S. Eliot's The Waste Land (1922), W. B. Yeats's The Tower (1928), and Ezra Pound's Eleven New Cantos (1934)
Protecting the “Ungelæredan Preostas”
“Don’t Blink. Don’t Even Blink. Blink And You’re Dead”: Elements of Fear and the Gothic in Doctor Who
Echoes of Valour
Correcting the Narrative
An Analyses of Stereotypes of Disney Female Characters and Their Influence on Children's Perspective
One Is Two and Two Are One: An Analysis of the Gothic Double in Stephen King's The Dark Half and Lisey's Story
The Diary of the Artifically Inteligent Android:
Reproductive Technologies, Class, and Neoliberal Capitalism in a Selection of Contemporary Feminist Speculative Fiction
De autobiografische wending van Annie Ernaux
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