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(97 - 120 of 402)
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A Narrative Reclaimed: Madeline Miller’s Circe and Margaret Atwood’s The Penelopiad in relation to Homer’s Odyssey
Black Stars and White Power
The Ethics of Buffy: An Analysis of the Soul and Human-Monster Relationships within Buffy the Vampire Slayer
A Sense of Dark Places
Hardyan Existentialism
"Now He Belongs to the Ages": Contemporary Fiction's Supernatural Contribution to the Cultural Memory of Abraham Lincoln
The Adaptation of Fictional and Non-Fictional Novels to Graphic Novels – Moments of Choice in Octavia Butler’s Kindred and Anne Frank’s Diary, The Graphic Adaptation.
Knights in Shining Armor: Representations of Medieval Chivalry in the films Star Wars and Pretty Woman
Literarische Reflexionen über Heimat in Dorfgeschichten der Gegenwart – Unterleuten von Juli Zeh und Vor dem Fest von Saša Stanišić
Exposing the Artificial Nature of Comedy Television through Postmodern Meta-Features
The Immortality of King Arthur
Jane Austen and her Critics: The Interaction of Novel and Paratext
Liminal Solitude in Nathaniel Hawthorne’s The Scarlet Letter, Herman Melville’s “Bartleby, the Scrivener,” and Henry David Thoreau’s Walden
Narrating Trauma
A Step Back
Navigating the Space between the ‘Chaste’ Female Friend and the ‘Monstrous’ Tribade: The Poetry of Katherine Philips and Aphra Behn
Shame, Sexuality, and the Self: Comparative Study of Iris Murdoch’s The Black Prince (1973) and Marian Pankowski’s Rudolf (1980)
Criminal Anthropology in Arthur Conan Doyle’s Sherlock Holmes stories
Adaptation and appropriation of Helen in twenty-first century texts
The Constraints of the Social Class System on Human Agency in Ian McEwan’s Atonement, Saturday, and The Child in Time
From Willows to Ents – How the Personification of Trees in Fantastic Fictions raises Awareness of Mankind’s Destructive Attitude towards the Environment
The Power of Reader-Response: A Study of Dean Koontz’ The Eyes of Darkness in relation to the Corona Pandemic
Dissidence Through Dissonance
Redefining Structures – The Construction of Gender and Heroism in Philip Pullman’s His Dark Materials
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