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Dissidence Through Dissonance
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Redefining Structures – The Construction of Gender and Heroism in Philip Pullman’s His Dark Materials
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Undressing Medieval Bodies
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Taming The Taming of The Shrew
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Springtime for the Pilgrim
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Western Godhood between the Pre-Modern, the Modern, and the Postmodern; An Analysis of Godhood in Milton’s Paradise Lost and Bethesda’s The Elder Scrolls
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The Noble Heroines
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Dislocation and "Finding One's Self" in the Leftist Novel: Özdamar's and Baldwin's Literary Representations of the 1950s and 1960s Cultural Revolution
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“Ne ænig hleomæga feassceaftig ferð frefran meahte”: Old English Elegiac Elements in Breton Lays from Medieval England
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Sebastian Melmoth
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An Existential Crisis in a Psychoanalytical Narrative: Transformation in "Groundhog Day"
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Il compagno di viaggio di Curzio Malaparte (1946-1957)
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The Ambiguity of the Existence of Ghosts in The Haunting of Hill House, The Turn of the Screw, and Their Netflix Adaptations
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'Come, we will go forth together': Adolescence Symbolized by Children's Journeys to Exotic Fairylands in E.Nesbit, J.M.Barrie and Hope Mirrlees
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Die Gruppe 47: der wechselseitige Einfluss von Dominanz im literarischen Feld der Nachkriegszeit und ihre Vision von Literatur
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Witches and the Devil in The Master and Margarita (1966), The Witches of Eastwick (1984) and Good Omens (1990): The Supernatural Other as a Vehicle for Satire of Social Power, Moral Standards and Religious Beliefs
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But Was He Really Gay?
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Atwood's Activism
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Born Cursed and Terrible
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“Ther fell a wondyr cas / Of a ley that was ysette”: Social Critique Enacted by Fairies in the Breton Lays of Lanval, Graelent, Guingamor and Sir Launfal
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In the Eye of the Beholder: Crisis and Fukuzawa Yukichi
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“That’s because OUR PEOPLE ain’t have no history”: How late-twentieth-century migrant literature subverts the history of Anglosphere cities and illuminates migrant narratives
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DISCONNECTION AND CULTURAL IDENTIFICATION IN NADEEM ASLAM’S MAPS FOR LOST LOVERS AND THE WASTED VIGIL
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Cyborgs vs Humans in Westworld (2016-)
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