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“Nobody Cares for the Woods Anymore”
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“Why did men drink wine and women water?”: Questions of Gender Differences in Virginia Woolf’s To the Lighthouse, Orlando: A Biography, and A Room of One’s Own
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Surviving Stratford High: Agency and Community in Young Adult Adaptations of Shakespeare’s Monarchical Tragedies
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The Cosmic Horror of Agency in The Magnus Archives
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Un'analisi dell'empatia narrativa nei racconti "animaleschi" di Dino Buzzati e Anton Koolhaas
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Context is Crucial
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Did That Really Happen?
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“Pain is Truth” Depicting General Conditions of Gender, Race, and Class in Édouard Louis’s History of Violence
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Transforming in Plain Sight: Passing and Performance in Passing, Caucasia, and The Vanishing Half
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“Last night you made a confession ‘twould make a saint swear”: Film Dialogue as an Articulator of Fear in Robert Eggers’ The Witch and The Lighthouse
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Le immagini nederlandesi dal punto di vista italiano: un'analisi quantitativa e qualitativa
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Killers and Constructs
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The Liminal Quality of Portals: Between Confrontation and Consolation in the Other Worlds of Neil Gaiman's Neverwhere, The Graveyard Book and The Ocean at the End of the Lane
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“Dear Mr Holmes”
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The Undeveloped Heart: Narratives of Love and Desire in A Room with a View (1908), The Return of the Soldier (1918) and The Great Gatsby (1925)
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The Feats Of the Princes of the Noldor
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A Comparative Critical Stylistic Analysis of Racial Othering
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Traduzione e ritraduzione de Il romanzo di Ferrara di Giorgio Bassani in Olanda
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‘When Last We Saw Our Heroes’
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Connected to Places and Objects: Family, Loss and Belonging in Wes Anderson's Rushmore, The Darjeeling Limited, and Moonrise Kingdom
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The exploration of masculine acts by the female characters in Ayn Rand’s The Fountainhead, John Steinbeck’s East of Eden and Richard Yates’ Revolutionary Road
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Non Videbis Quid Videre Non Vis:
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Damsels in Disguise
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Something Borrowed, Something New
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