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Une figure de style parlante et provocatrice
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Thomas Stearns Eliot, George Seferis & Odysseus Elytis: Three Different Approaches Representing and Reflecting the Post- War Era in Europe and Beyond
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Der Geniebegriff im Dritten Reich. Eine Analyse der Filme Friedrich Schiller – Der Triumph eines Genies, Rembrandt und Ohm Krüger.
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Looking Through an Aperture: A Sensory Reading of “Paris” by Hope Mirrlees and Nevertheless by Marianne Moore with the Concepts of the Self and the Other
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A Jungian Portrait of Stephen Dedalus' Unconscious Strife
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Ursula K. Le Guin's Holistic Ecofeminism in The Word for World is Forest, "The Matter of Seggri" and The Left Hand of Darkness
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Memory and Time: “The plausibility of a pattern” in the multiple evocations of Samuel Beckett’s essays on Joyce, Proust, the novel Dream of Fair to Middling Women and the play Krapp’s Last Tape.
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Diverging from the binary: Gender nonconformity in Early Modern English plays
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“Nobody Cares for the Woods Anymore”
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“Why did men drink wine and women water?”: Questions of Gender Differences in Virginia Woolf’s To the Lighthouse, Orlando: A Biography, and A Room of One’s Own
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Surviving Stratford High: Agency and Community in Young Adult Adaptations of Shakespeare’s Monarchical Tragedies
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The Cosmic Horror of Agency in The Magnus Archives
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Un'analisi dell'empatia narrativa nei racconti "animaleschi" di Dino Buzzati e Anton Koolhaas
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Context is Crucial
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Des châteaux aux tours, des jardins aux forêts : L'espace genré dans les Lais de Marie de France
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Did That Really Happen?
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Transforming in Plain Sight: Passing and Performance in Passing, Caucasia, and The Vanishing Half
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“Last night you made a confession ‘twould make a saint swear”: Film Dialogue as an Articulator of Fear in Robert Eggers’ The Witch and The Lighthouse
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Le immagini nederlandesi dal punto di vista italiano: un'analisi quantitativa e qualitativa
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Killers and Constructs
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The Liminal Quality of Portals: Between Confrontation and Consolation in the Other Worlds of Neil Gaiman's Neverwhere, The Graveyard Book and The Ocean at the End of the Lane
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“Dear Mr Holmes”
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The Undeveloped Heart: Narratives of Love and Desire in A Room with a View (1908), The Return of the Soldier (1918) and The Great Gatsby (1925)
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The Feats Of the Princes of the Noldor
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