Pages
-
-
Framing Memory: An Exploration of Memory and Autobiography in Steven Spielberg’s The Fabelmans, Andrew Haigh’s All of Us Strangers and Charlotte Wells’s Aftersun
-
-
The Regeneration of Cybermen
-
-
FEMINISM, LOVE, DECEPTION: An Analysis of the Reimagination of Winston’s Lover from Nineteen Eighty-Four (1949), the Film Adaptation 1984 (1984) and the Feminist Retelling Julia (2023)
-
-
“Don’t Blink. Don’t Even Blink. Blink And You’re Dead”: Elements of Fear and the Gothic in Doctor Who
-
-
“Nobody Cares for the Woods Anymore”
-
-
Defying Superfluity: The Representation of Spinsterhood in Mid-Victorian Literary Fiction by Elizabeth Gaskell, Charlotte Brontë, and Charles Dickens
-
-
Agency, Autonomy and Assaults: The New Woman and the Criminal Woman in Late Victorian and Edwardian Fiction by Hardy, Doyle and Conrad
-
-
The Undeveloped Heart: Narratives of Love and Desire in A Room with a View (1908), The Return of the Soldier (1918) and The Great Gatsby (1925)
-
-
Connected to Places and Objects: Family, Loss and Belonging in Wes Anderson's Rushmore, The Darjeeling Limited, and Moonrise Kingdom
-
-
From A to Z: Anthropomorphism and Zoomorphism in Victorian and Edwardian Children’s Literature
-
-
The Victimhood of the Governess in Three Adaptations of The Turn of the Screw
-
-
Exposing the Artificial Nature of Comedy Television through Postmodern Meta-Features
-
-
The Immortality of King Arthur
-
-
Jane Austen and her Critics: The Interaction of Novel and Paratext
-
-
Criminal Anthropology in Arthur Conan Doyle’s Sherlock Holmes stories
-
-
'Come, we will go forth together': Adolescence Symbolized by Children's Journeys to Exotic Fairylands in E.Nesbit, J.M.Barrie and Hope Mirrlees
-
-
Gender and Sexuality in The Great Gatsby and The Handmaid's Tale
-
-
The Representation of the Woman Writer and the Male Gaze in Three Biopics
-
-
A Change of Dominant in Rushdie's Recent Fiction
-
-
Scientific Secrecy in Frankenstein (1818), Strange Case of Dr Jekyll and Mr Hyde (1886), and The Invisible Man (1897)
-
-
Us, We, Me, I: The Artifice of Identity and Film in Persona, 3 Women, and Mulholland Drive
-
-
A Study in Masculinity
-
-
Disney Princes in a New Age
-
-
Evolution in H.G. Wells - Progression and Regression
Pages