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It’s not our fault:
Dromen over kleurige gewaden
‘Too subordinate to be hegemonic, too misogynistic to be subordinate’: Exploring Nice Guy masculinity and the male gaze in Taiwanese cinema
Exception and Technocracy
Yin-yang in primaire literatuur
The double gaze in ethnographic museum exhibitions reflected through the Siebold collection
Reforms in Times of Turmoil
Unveiling the Frames: Framing the Burqa Ban in Dutch Print Media
Voicing Ideologies – Comparing Zionism’s legacy on Israel’s language policy to Hindutva’s impact on India’s minority languages
Why Inequality, Rather than Free-Riding Concerns, is the Main Obstacle to Climate Change Mitigation
Antti Klemola SSEAS BA Thesis 2024
Bollywood Diplomacy: Unravelling Narendra Modi's Strategic Deployment of Hindi cinema
Abraham Delfos
The Transfiguration of Romantic and Dionysian Pessimism
The Dutch-Spanish conflict in the Philippines between 1600 and 1648
Modernity and Ukiyo-e: a manufactured positive modernity depicted on ukiyo-e prints from the Meiji period
The evolution of Frontex and its portrayal in European media
Hoe documentaires ons proberen te beïnvloeden
De autobiografische wending van Annie Ernaux
“A Soul Begins With the Gnashing of Teeth”: Suffering, Otherness, and Subjectivity in Karel Čapek’s R.U.R. (1920), Westworld (2016), and the philosophy of Emmanuel Levinas (1906-1995)
“O eterno lá fora”: a hermeneutical framework for analyzing the Portuguese brain-drain
Bitterzoet
'In the Margent some Sentences in Latin': Printed Marginal Notes and Handwritten Marks of Use in Four Copies of Geffrey Whitney's A Choice of Emblemes (Leiden, 1586)
Unraveling the Urban Metaphor in the Virtual Realm
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