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Hesselberth, P.
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Horsman, Y.
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Ross, J.A.
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De wisselwerking tussen beeld en geluid in de films van Robert Bresson
Coming-of-(Digital)-Age: Heeft de Smartphone een Plek in de Moderne Coming-of-Age Film?
Duiken in de duisternis: Traumatische (on)definieerbaarheid in Silent Hill 2
Filmadaptatie: van animatiefilm naar liveaction film
Excessieve en Transcendentale Stijlkenmerken in het werk van Nicolas Winding Refn
A Journey of Self: Navigating the Male Midlife Crisis in American Road Movies
Film Noir in Europa
De narratieve werking van voice-over: ironie in cinema
Naïviteit in de Humoristische Horrorfilm
Michael Mann: Op zoek naar zijn positie binnen Hollywood aan de hand van Thief, Heat en Collateral
Geweld en Onzichtbaarheid
Disaster Artists
Embalming Time
Trauma in Lee Chang-dong’s Films: Peppermint Candy, Poetry, and Burning
Twin Peaks als Neo-Noir: Een vergelijkend onderzoek aan de hand van Laura en Kiss Me Deadly
Framing non-western cinema at international film festivals: modern Thai cinema funded with foreign money
Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan
In the Guise of Irony: A closer look at the function and effect of irony embedded in the cinema of Aki Kaurismäki
The Representation of Women in Tunisian Cinema Post-2011
Yorgos Lanthimos: The Lobster en The Killing of a Sacred Deer in verhouding tot zijn “Greek Weird Wave” films
Let me tell you, this is a true story.
Detachment: melancholia through unconventional time in The Hours (2002) and Melancholia (2011)
Hello, Theory. Can You See Me Now?
Carlos Saura’s Cría Cuervos as a Mode of Reading: In-Between Narrative and Allegory
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