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- “A Soul Begins With the Gnashing of Teeth”: Suffering, Otherness, and Subjectivity in Karel Čapek’s R.U.R. (1920), Westworld (2016), and the philosophy of Emmanuel Levinas (1906-1995)
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- Much Ado About Shanghai: An Analysis of Chloe Gong's Use of Shakespeare, Shanghainese History, and Postcolonialism in These Violent Delights (2020), Our Violent Ends (2021), and Foul Lady Fortune (2022).
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- The Good, the Bad and the ugly Identity, Community and Acculturation in Lahiri’s the Namesake and Mirza’s a Place for us
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- “A mind enrich’d with Virtue, shines more bright”: Women and Virtues in Early Modern Sermons and Poetry
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- Striving for Freedom: Examining Financial Self-Help Literature as a Strategy of Neoliberal Governmentality through the Works of Robert T. Kiyosaki
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- Embracing Change at the Intersections; A Critical Intersectional Analysis of Octavia Butler's Parable Novels
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- Tensions of Happiness: Happiness Discourses and Happy Objects in Lisa McGee’s Derry Girls (2018-2022) and Anne Enright’s The Green Road (2015)
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- Cosmic Horror and the Revelation of the Unknown: Prophetic Dreams and Xenophobia in “The Call of Cthulhu” by H.P. Lovecraft
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- Existential Crisis in Poe’s “The Man of the Crowd” and Thomson’s The City of the Dreadful Night: The Flâneur in Search of the “secrets that do not allow themselves to be told.”
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- Trauma trasformato o trasmesso? Un’analisi narratologica, contestuale e comparata del tema della trasmissione del trauma in Cenere di Grazia Deledda (1904), Una donna di Sibilla Aleramo (1906) e La casa nel vicolo di Maria Messina (1921)
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- The Woman Question and the Sensation Novel: A Critical Study of Wilkie Collins’ The Woman in White (1859), Mary Braddon’s Lady Audley’s Secret (1862), and Mrs Henry Wood’s East Lynne (1861)
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- “Well, I Don’t Know About the Rest of You, But I’m Not Enjoying This Bomb:” Youth, Humour and Generational Trauma in Derry Girls