Pages
-
-
De autobiografische wending van Annie Ernaux
-
-
“A Soul Begins With the Gnashing of Teeth”: Suffering, Otherness, and Subjectivity in Karel Čapek’s R.U.R. (1920), Westworld (2016), and the philosophy of Emmanuel Levinas (1906-1995)
-
-
Moral Impotence in Muddy Existence
-
-
Much Ado About Shanghai: An Analysis of Chloe Gong's Use of Shakespeare, Shanghainese History, and Postcolonialism in These Violent Delights (2020), Our Violent Ends (2021), and Foul Lady Fortune (2022).
-
-
The Good, the Bad and the ugly Identity, Community and Acculturation in Lahiri’s the Namesake and Mirza’s a Place for us
-
-
“A mind enrich’d with Virtue, shines more bright”: Women and Virtues in Early Modern Sermons and Poetry
-
-
Robots as morally superior slaves across two literary case studies
-
-
Striving for Freedom: Examining Financial Self-Help Literature as a Strategy of Neoliberal Governmentality through the Works of Robert T. Kiyosaki
-
-
Embracing Change at the Intersections; A Critical Intersectional Analysis of Octavia Butler's Parable Novels
-
-
Harry Potter's Dementor
-
-
The God-Gaze & Dust: Different Concepts of Knowledge of Nature in His Dark Materials
-
-
Tensions of Happiness: Happiness Discourses and Happy Objects in Lisa McGee’s Derry Girls (2018-2022) and Anne Enright’s The Green Road (2015)
-
-
Cosmic Horror and the Revelation of the Unknown: Prophetic Dreams and Xenophobia in “The Call of Cthulhu” by H.P. Lovecraft
-
-
Publishing with a Purpose
-
-
Existential Crisis in Poe’s “The Man of the Crowd” and Thomson’s The City of the Dreadful Night: The Flâneur in Search of the “secrets that do not allow themselves to be told.”
-
-
The Smiling Shadow of a Bat
-
-
Trauma trasformato o trasmesso? Un’analisi narratologica, contestuale e comparata del tema della trasmissione del trauma in Cenere di Grazia Deledda (1904), Una donna di Sibilla Aleramo (1906) e La casa nel vicolo di Maria Messina (1921)
-
-
Paolo Sorrentino: Regista tra virtuoso showman e speleologo dell’interno.
-
-
Sacrificial Rites in Modern Contexts
-
-
The Woman Question and the Sensation Novel: A Critical Study of Wilkie Collins’ The Woman in White (1859), Mary Braddon’s Lady Audley’s Secret (1862), and Mrs Henry Wood’s East Lynne (1861)
-
-
“Well, I Don’t Know About the Rest of You, But I’m Not Enjoying This Bomb:” Youth, Humour and Generational Trauma in Derry Girls
-
-
Une Chine imaginaire
-
-
Ethnic Diversity and Class Representation in London in the BBC’s Sherlock (2010-2017) and Aminatta Forna’s Happiness (2014)
-
-
Voice, gender and mobility: haunting private and public spaces in Virginia Woolf's ‘Street Haunting’
Pages
