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Negotiating Visitors’ Presence and Engagement in Immersive, Hypermediated Art Experiences
Listening Space: a study on using transmission ecologies to visualize the invisible
Decolonial Curating
Remembering the Unknown: Intergenerational and Transgenerational Postmemory in the Works of Imants Tillers (1950)
Exhibiting Environmental Encounters
Gendered Subjectivities: The Bathroom in Art, From Modern to Contemporary
Are the artworks of Barbara Kruger and Judy Chicago truly distinct?
PROBLEMATIZATION OF AUTHORSHIP
Analysing contemporary acts of destruction against historic artistic artefacts in relation to Walter Benjamin’s theory of authenticity
Revisiting the human-nature relationship through biotech architecture
The Pink Cube
The Foreigner Planted a Seed: Migration Discourse in The Artistic-Anthropological Projects of Leone Contini
The Future of Artistic Institutions: Attitudes towards a Communal Shift; Ruangrupa case study
Indoor Land Art installations: materialising nature in the gallery space
The Aesthetics and Politics of the Representation of Refugees
A warm welcome to the Pleistocene Park
ITALIAN MUSEUMS AND THE CHALLENGE OF ENGAGING A YOUNGER AUDIENCE THROUGH SOCIAL MEDIA: A CASE-STUDY OF MUSEI CIVICI VENEZIANI
Game of Swarms - An artistic practice about networks
A Phenomenological Understanding of Fjordenhus Building in Vejle, Denmark: The Role of “Art-and-Architecture” on Contemporaneity
Inhabiting the Environment through Art: the work of Dan Graham and Olafur Eliasson in Inhotim Institute as Instances of Environmental Aesthetics
Technological Entanglement in an Age of Somatic Transformation
The Artificially Intelligent Painting Robot PIX18: An Investigation of Man-Machine Artistic Equivalence
Picking up the Pieces Confronting Heritage Trauma in the Post-Conflict national museums of Syria and Iraq
The Gamified Society and its Aesthetic Emancipation

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