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From Monstrous Parent to Monstrous Child: Mary Shelley's "Frankenstein" and the Romantic-Era Nature/Nurture Debate
The Blackstar had No Plan: An Intertextual Approach to Mortality and Resurrection in Bowie’s Blackstar
Shining New Light on The Shinings: Analyzing the Influence of the Artists' Reputations in the Formal Elements and Protagonists of King's The Shining and Kubrick's Film Adaptation
The End of the Road