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Virginia Woolf’s Thought and Writing and Joanna Russ’s Science Fiction: Feminism in Orlando (1928) and The Female Man (1975)
Modal Verb use in the 19th Century Representation of Women
Solitude, Sociality and Self-Concept in 'Mrs Dalloway' and 'Good Morning, Midnight'
The Function of the Mirror Image in the Perception of the Self in Virginia Woolf’s Fiction
The Mask of Madness: Examining the Link Between Madness and Self-Expression in Contemporary Literature
The Case of Mrs. Richard Dalloway: The Influence of Societal Forces on the Self in Virginia Woolf’s Mrs. Dalloway
Modernism and the Cinema: Virginia Woolf's "Mrs Dalloway" on the Big Screen
Alone Together: a Tactful Reading of Virginia Woolf’s The Waves and Ali Smith’s How to be Both
Buying the Flowers in Kilburn: An Intertextual Remapping of London in Virginia Woolf's Mrs Dalloway and Zadie Smith's NW
Knowledge and Experience in Virginia Woolf's The Waves: an exploration of epistemology at stake in modernist fiction