Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
This study aims to shed light on the artist community Treehouse in Amsterdam as a space for artistic practice. By applying the concepts: place and space, community, artistic practice and artistic...Show moreThis study aims to shed light on the artist community Treehouse in Amsterdam as a space for artistic practice. By applying the concepts: place and space, community, artistic practice and artistic process, this study focuses on place and space as conditions in which artistic process can emerge. My goal is to explore the diversity of these artistic practices and spaces in which it is practiced. In terms of discussing the experiences of place and space, I would like to explore the perspectives of policy makers and the lived experiences of the artists within the place and space. This study aims to offer a more focused navigation of artistic processes; and explores what (pre)conditions are needed for the artists to engage in their artistic process. It aims to shift the approach from exploring art as established institution, to art as “practice”. Therefore, my aim in this article is to explore artistic practice and the role of place and space, and the artistcommunity in it (both physical and social). I used qualitative research methods and observational filmmaking as a research tool to generate empirical data. The results of this research are presented in a textual output (this article), and an audio-visual output (the film: Space for Artistic Practice, 2021), with both being part of the same overarching research. Two of my participants allowed me to study them more intensively on their artistic process. This provided insight in the small-scale aspects of their social reality, such as interaction, the forms of communication through art and their artistic processes. I introduce the concept of “creative sphere” as a mental space, which artists can experience when the workspace meets certain desired preconditions, and artistic process can happen. This approach discusses how the division and ordering principles of the space is part of an artistic interpretation and discusses different conditions in which art is made. Place and Space for artistic practice and artistic process has a political side, but it also has a personal side. Therefore, this article is divided in two parts. In the first part, I explore artistic practice in relation to place and space in a macro perspective (political and community), and in the second part, I will discuss the role of space in artistic process (personal and in a more philosophical perspective).Show less
Master thesis | Cultural Anthropology and Development Sociology (MSc)
closed access
Cars have been for years dominating our lives and landscapes and are deeply shaped by our culture. By focusing on a particular car, a 2CV, and its reconstruction, observing and analyzing its social...Show moreCars have been for years dominating our lives and landscapes and are deeply shaped by our culture. By focusing on a particular car, a 2CV, and its reconstruction, observing and analyzing its social life, as a commodity as well as an object linked to a particular history since it was the former car of anthropologist-filmmaker Jean Rouch, these study and concomitant film contribute to reveal specific aspects of the relationship between man and car, mainly through the concept of bricolage, that Rouch was also familiar with in his filmmaking. The opposition between bricoleur and ingénieur is revisited, through a detailed film-based ethnography with the diverse participants and situations encountered during a three-month fieldwork, in a follow-the-thing type case. Cars are also envisioned as religious objects that have their cathedrals, worshippers and sorcerers. They are machines but they have their part of humanity, that interacts with us. The perspective is enriched by a physical and practical approach to fieldwork shared with participants, and as an actual making together in a practice-led research during the reconstruction of the car. Inspired as well by Jean Rouch’s approach, filmmaking is thus considered a way of acquiring knowledge as well as facilitating a relational fieldwork.Show less
Bachelor thesis | Cultural Anthropology and Development Sociology (BSc)
open access
When a person or an institution has the ability to act upon what they believe is the best possible situation - or at least a relatively good set of circumstances - through changing real-life...Show moreWhen a person or an institution has the ability to act upon what they believe is the best possible situation - or at least a relatively good set of circumstances - through changing real-life livelihoods, they engage with the politics of desirability. That means that they are positioned within the political playing field of actors with different degrees of power to act upon what they believe is desirable. This thesis is an attempt to discover truths about the political relationship between government - and the act of governance - and those whom are influenced yet not fully involved with the processes that influence them. The analysis builds upon two types of cases: one concerns general descriptions of regimes’ governance, rationales, techniques and ideologies; and the other concerns government responses to contestations to its governance. Each case is shortly analysed in regards to the concept of desirability. After presentations and short discussions of the cases, I present two different dimensions of critiques on government’s dealing with the matter of desirability: contingent issues, that can be found explicitly in the cases, but can vary amongst regimes; and inherent limits, which are present, by definition, in every attempt at governance from outside. The latter critiques come down to problematising the core asset of government in the political realm of desirability. That core asset is its position of power, in which it is able to act upon its own conception of ‘what is desirable’ without involving conceptions and lived experience of the people most influenced by the government action; but also in which it cannot overcome its limits - deriving straight from the asset - to do justice to the open-ended, ethical question of desirability.Show less
