In this thesis, I examine the gothic and metafictional genre elements of Mark Z. Danielewski's novel 'House of Leaves.' Chapter 1 is split into two sections: section 1.1 contains an analysis of the...Show moreIn this thesis, I examine the gothic and metafictional genre elements of Mark Z. Danielewski's novel 'House of Leaves.' Chapter 1 is split into two sections: section 1.1 contains an analysis of the gothic elements present in 'The Navidson Record' central to the novel and, in section 1.2, I proceed to examine the novel's metafictional characteristics and how metafiction and Gothicism are intertwined in the text. In both preceding sections, the reader's knowledge gap—referred to in my thesis as the epistemological gap—is prevalent in my reading of the novel. Consequently, in Chapter 2 I explore this knowledge gap further, relating it to the gothic and metafictional elements analyzed in the preceding chapter. Lastly, I argue that the audience might fill the epistemological gap by projecting their own personal interpretations of the text onto it. One of the main characters inside the narrative, Johnny Truant, projects his childhood trauma onto the text and processes it in his annotations to 'The Navidson Record.'Show less
An analysis of the Cosmic Horror genre and how it shifted in modern times. This is done by analysing Lovecraft's work and analysing the podcast The Magnus Archives. Then comparing them and...Show moreAn analysis of the Cosmic Horror genre and how it shifted in modern times. This is done by analysing Lovecraft's work and analysing the podcast The Magnus Archives. Then comparing them and determining how the genre has shifted over time.Show less
This thesis discusses the origin and evolution of the ''dumb blonde'' stereotype in American cinema from the 1950s onwards and takes a look at why this stereotype does not seem as prevalent in...Show moreThis thesis discusses the origin and evolution of the ''dumb blonde'' stereotype in American cinema from the 1950s onwards and takes a look at why this stereotype does not seem as prevalent in contemporary times anymore.Show less
This BA thesis focuses on the perception and representation gayspeech as used by the character Kurt Hummel in the TV-series Glee (2009-2015). This has been analyzed by looking into online discourse...Show moreThis BA thesis focuses on the perception and representation gayspeech as used by the character Kurt Hummel in the TV-series Glee (2009-2015). This has been analyzed by looking into online discourse on his speech during the run of the show and how this compares to the gayspeak used by real life people. This thesis also looks at the examples used by these people and how they differ in opinion on the matter. The analysis suggests that the gayspeak used by Kurt Hummel has been made slightly stereotypical and therefore not at all representative of a large part of the male gay community.Show less
This thesis conducts a comparison between Aesop's original of the fable "The Cock and the Jasp", and Henryson's changed version as recorded in his Middle Scottish fable collection "The Morall...Show moreThis thesis conducts a comparison between Aesop's original of the fable "The Cock and the Jasp", and Henryson's changed version as recorded in his Middle Scottish fable collection "The Morall Fabillis of Esope the Phrygian. This comparison shows how Henryson has added multiple details to the original narrative of the fable. It is argued that these additions cause a shift in the target audience of the fable's moral, and that some details are added to justify the behaviour of lower classes, while others are implemented to further incriminate members of higher classes. This thesis ultimately argues that the criticism of this fable is mainly directed to the higher estates.Show less
In this thesis, the reception of classical mythology in the Old English adaptation of Boethius' 'De consolatione philosophiae' is analysed. It demonstrates that the author of the Old English...Show moreIn this thesis, the reception of classical mythology in the Old English adaptation of Boethius' 'De consolatione philosophiae' is analysed. It demonstrates that the author of the Old English Boethius is familiar with classical mythology, and that he has consciously adapted his material to make it more suitable for his Christian Anglo-Saxon audience unfamiliar with classical mythology.Show less
