In this thesis, I examine the gothic and metafictional genre elements of Mark Z. Danielewski's novel 'House of Leaves.' Chapter 1 is split into two sections: section 1.1 contains an analysis of the...Show moreIn this thesis, I examine the gothic and metafictional genre elements of Mark Z. Danielewski's novel 'House of Leaves.' Chapter 1 is split into two sections: section 1.1 contains an analysis of the gothic elements present in 'The Navidson Record' central to the novel and, in section 1.2, I proceed to examine the novel's metafictional characteristics and how metafiction and Gothicism are intertwined in the text. In both preceding sections, the reader's knowledge gap—referred to in my thesis as the epistemological gap—is prevalent in my reading of the novel. Consequently, in Chapter 2 I explore this knowledge gap further, relating it to the gothic and metafictional elements analyzed in the preceding chapter. Lastly, I argue that the audience might fill the epistemological gap by projecting their own personal interpretations of the text onto it. One of the main characters inside the narrative, Johnny Truant, projects his childhood trauma onto the text and processes it in his annotations to 'The Navidson Record.'Show less
This BA thesis analyses female figures in Irish fairy tales and folklore as collected by W.B. Yeats to establish how women were represented in these stories. By analysing Carl Gustav Jung’s...Show moreThis BA thesis analyses female figures in Irish fairy tales and folklore as collected by W.B. Yeats to establish how women were represented in these stories. By analysing Carl Gustav Jung’s archetypal literary criticism, this thesis explores archetypes with the focus on the Mother and the Maiden. This thesis gives close readings of several Irish fairy tales that were selected from Yeats’s anthologies with the purpose of examining figures of the Maiden and the Mother that can be found within fairy tales more closely. Both archetypes can be chiefly be found in the passive figures of the daughter and mother, and it is this passivity that makes them into ‘good’ women. Whereas the figure of the stepmother is far from passive, but her aspirations are always associated with her malevolent nature. The passivity of these female characters is not just unique to Yeats’s fairy tales, but can be generally found in other fairy tales and folklore.Show less
This thesis offers an explanation of Katherine Mansfield’s sterile depiction of colonial life by employing the postcolonial concept of displacement. It examines four of Mansfield’s New Zealand...Show moreThis thesis offers an explanation of Katherine Mansfield’s sterile depiction of colonial life by employing the postcolonial concept of displacement. It examines four of Mansfield’s New Zealand stories, namely “The Woman at the Store” (1912), “Prelude” (1918), “At the Bay” (1922), and “The Garden Party” (1922), and argues that the characters of the woman at the store, Linda Burnell, Beryl Fairfield and Laura Sheridan are displaced postcolonial subjects in the New Zealand landscape. The thesis also demonstrates that these four stories represent the settler existence as imbued with loneliness, alienation and identity crises, and that the protagonists are unable to lead meaningful lives due to the psychological consequences of displacement.Show less
This thesis discusses Ali Smith’s contemporary rewriting of Ovid’s Iphis myth. It will examine how the democratisation of the field of Greek and Roman classical scholarship, through an increase of...Show moreThis thesis discusses Ali Smith’s contemporary rewriting of Ovid’s Iphis myth. It will examine how the democratisation of the field of Greek and Roman classical scholarship, through an increase of female scholars working in this field and the application of concepts from feminist theory to classical texts, enabled Smith in her retelling of the Iphis myth by providing new interpretations for this myth. It will then be examined how Smith formed this new narrative by working within the scholarly framework of Judith Butler’s theories on gender and sexuality, illuminating and foregrounding the issues of gender ambiguity and same-sex relationships that are already present in the original myth. Finally, the importance of intertextuality and epigraphs in Smith’s work will also be taken into account by considering how she engages with the gender confusion and homoerotic tendencies present in Shakespeare’s Twelfth Night, The Tempest, Cymbeline, and A Midsummer Night’s Dream and Lyly’s Gallathea, providing a literary context for her novel which she uses to support her own narrative and, sometimes, to change the cultural resonance of Elizabethan plays that deal with gender and same-sex relationships.Show less
Through a close reading and historical-biographical contextualisation of two eclogues and the introductory poem, “At Toombridge”, in Electric Light concerning poems by W.B. Yeats, I would like to...Show moreThrough a close reading and historical-biographical contextualisation of two eclogues and the introductory poem, “At Toombridge”, in Electric Light concerning poems by W.B. Yeats, I would like to explore Heaney’s and Yeats's opposed responses to violence. I will claim that this response is due to contemporary Irish political upheaval and that both Heaney and Yeats appropriate Eclogue IV by the Roman Poet Virgil to broaden the scope of their claims. This thesis links the marked contrast between Yeats's and Heaney's response to political violence in an Irish context to their interconnected yet very different backgrounds and times. While the selected poems by Heaney and Yeats are imbued with violence, the contrast lies in both poets' treatment of this theme. The chosen poems from Yeats's middle period (the 1910s – 1920s) seem to condone political violence whereas the selected poems by Seamus Heaney published after the 1998 Peace Treaty in Northern Ireland seems to condemn it.Show less
In this thesis I aim to provide a close reading of the influence of societal forces on characters' conceptions of themselves in Virginia Woolf's Mrs. Dalloway. To do so, I consider how Clarissa...Show moreIn this thesis I aim to provide a close reading of the influence of societal forces on characters' conceptions of themselves in Virginia Woolf's Mrs. Dalloway. To do so, I consider how Clarissa Dalloway, Peter Walsh and Elizabeth Dalloway are affected by the enigma that is the perfect hostess, Mrs. Richard Dalloway.Show less
This thesis looks into two of Margaret Atwood's famous novels, Alias Grace and The Handmaid's Tale, to analyse how the female protagonists of both novels illustrate the marginalisation of women who...Show moreThis thesis looks into two of Margaret Atwood's famous novels, Alias Grace and The Handmaid's Tale, to analyse how the female protagonists of both novels illustrate the marginalisation of women who were being suppressed in a patriarchal society during Atwood's own early adulthood. Furthermore, it looks into how the women in Atwood's novels respond to this marginalisation and whether the response is comparable to the ideals of feminism.Show less
This Thesis analyses the path toward a hybrid identity of the female protagonists in The Woman Warrior and White Teeth. The main theory is Homi Bhabha's Hybridity and Third Space. By comparing the...Show moreThis Thesis analyses the path toward a hybrid identity of the female protagonists in The Woman Warrior and White Teeth. The main theory is Homi Bhabha's Hybridity and Third Space. By comparing the similarities and differences between the two female character's search for an identity, the thesis concludes that the narrator in The Woman Warrior is in a primary stage of hybridity and that Irie in White Teeth is in a much advanced and modern stage of hybridity.Show less
