During the shift from the Hallstatt to the La Tène period, we can observe through the archaeological record the upcoming importance of iron in the central European Celtic culture. The ample...Show moreDuring the shift from the Hallstatt to the La Tène period, we can observe through the archaeological record the upcoming importance of iron in the central European Celtic culture. The ample discovery of long swords, daggers, spearheads and other sorts of weaponry, suggests a significant value given to these items of war. Lavished burials and large votive deposits in water-bodies such as the renowned lake of La Tène, provide us with an ever growing record. When we zoom in on the Celtic long sword, we can observe an interesting commonly found feature, namely punch marks. These are small, round marks occurring on the blade of some of the long swords and can be found as single marks, sometimes two, or occasionally even three marks on a single blade. Recurring themes on these punchmarks are animals which were more often depicted in the Celtic world. Interestingly, zoomorphic marks only represent boars, birds, horses or bulls, yet considering the large range of animals that were included in La Tène art, there must have been a specific meaning linked to these animals. For the larger part, these animals have a clear explanation as to why they are depicted on these items of warfare; the boars for their ferocity and violence, the horses for their use in combat, and the bulls for their strength and impressive stature. When we look at birds, the scavenger birds such as ravens were renowned for their pitilessness and them being the scavengers of war. However, when we look at the six known bird-like punch marks, we can identify three of them as being scavenger birds, and three of them as being a waterbird-like species. In this research, I will be solely focusing on three punch marks, which are situated on swords found in Ilbesheim, Heuchelheim and La Tène, and I will attempt to establish a clear linkage between the symbols and warfare. The observed fact that there are waterbird-like symbols on swords, raises the question what the linkage between waterbirds and warfare could be, and if we are actually able to attempt to give meaning to their symbolism. Hence, my main question arose, i.e. can a clear linkage between the Celtic waterbird imagery and warfare be established through the use of contextual analysis of similar Celtic waterbird imagery? And if I cannot establish a clear linkage to warfare, are there any other linkages that can be made?Show less
