This research paper examines the role of digitalisation technologies, specifically 3D laser scanning and photogrammetry, for the conservation and formation of collective cultural memory in the...Show moreThis research paper examines the role of digitalisation technologies, specifically 3D laser scanning and photogrammetry, for the conservation and formation of collective cultural memory in the digital age. By utilising the Lviv-based digitalisation company Skeiron’s #SaveUkrainianHeritage as a case study, we investigate how these digital tools contribute to the conservation and dissemination of cultural memory in the context of the Russo-Ukrainian war (2022-). We employ a methodology based on interdisciplinary literature review and close analysis of primary and secondary texts, primarily building upon Jan and Aleida Assmann’s collective memory and Pierre Nora’s lieux de mémoire through a contemporary, digital-focused perspective. The digitalisation of cultural heritage objects is seen as a conservation strategy that ensures the retention of the memory value of heritage objects. The #SaveUkrainianHeritage project exemplifies how digital tools may effectively conserve and transmit cultural memory in the face of conflict, providing a platform for wider engagement and appreciation of cultural heritage.Show less
This thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its...Show moreThis thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its sexually provocative imagery and lyrics, unlike other similar songs. The question arises: If Cardi and Megan’s song is so unique that it might be the start of a feminist paradigm shift, or whether it follows an already established trend? First, the song is looked at scene by scene, scouting for reoccurring elements. Then, general representational tactics of women in media are analyzed, which help evaluate the elements in WAP further, determining feminist or non-feminist tactics. Lastly, the music of other female artists like Madonna, Lil Kim and Christina Aguilera are studied in order to determine whether WAP is following a trend or stands on its own. After exploring these different aspects, it is possible to see that WAP is a starting point for a feminist paradigm shift in media, of which there are likely more artists or songs to follow.Show less
