Research master thesis | Middle Eastern Studies (research) (MA)
open access
Since the 1990s, the genre of Dutch Islamic children’s literature has seen an impressive boom in terms of quantity and quality. With increasing numbers of publishers active in the field and books...Show moreSince the 1990s, the genre of Dutch Islamic children’s literature has seen an impressive boom in terms of quantity and quality. With increasing numbers of publishers active in the field and books published, the genre is growing with an exponential speed and continuously transforming in character. Building upon the gradually developing field of study that deals with the everyday lives of Muslims in ‘the West’, this study provides an exploratory insight into a specific manifestation of the daily experiences of Muslims in diaspora: Islamic children’s literature. Through 25 qualitative in-depth interviews with those actors most closely involved in the phenomenon, being publishers, authors, and producers, this explorative study aimed to understand the main intentions and motivations for both producing and using these books. Providing a bottom-up account of the phenomenon, this research intended to answer the following research question: What explains the increasing popularity of Dutch Islamic children’s literature since its emergence in the 1990s? With a new generation of Dutch Muslims, born and raised in The Netherlands themselves, facing an increasing need for renewed pedagogical materials that fit contemporary Dutch context, the genre of Islamic children’s literature is the materialised response to a need for educational and socialising materials in a non-Muslim majority context. Characterised by a diversity of both actors involved and books produced, the genre of Islamic children’s literature serves multiple functions, ranging from the strict didactic teaching of virtue to playful modes of representation. Serving both as a complementary tool in the Islamic upbringing of a future generation at home and as a means of strengthening children in their Dutch Muslim identity, the genre is continuously adaptive to the needs of its ‘BRUNA’ Muslim audience.Show less
