Bachelor thesis | Cultural Anthropology and Development Sociology (BSc)
closed access
De manier waarop de Ander vorm krijgt in een etnografisch museum, verschilt per museum. Op basis van de politiek in het museum, de tentoonstellingen en de kenmerken en opmerkingen van het publiek,...Show moreDe manier waarop de Ander vorm krijgt in een etnografisch museum, verschilt per museum. Op basis van de politiek in het museum, de tentoonstellingen en de kenmerken en opmerkingen van het publiek, is onderzocht welk beeld van de Ander wordt gepresenteerd door Museum Volkenkunde in Leiden en Musée du Quai Branly in Parijs. De overeenkomsten en verschillen tussen kunst en etnografisch object worden benoemd.Show less
Bachelor thesis | Cultural Anthropology and Development Sociology (BSc)
open access
De overheden van Oezbekistan en Tadzjikistan maken veelvuldig gebruik van cultureel erfgoed bij het ontwikkelen van een nationale identiteit en het creëren van nationalisme onder de bevolking....Show moreDe overheden van Oezbekistan en Tadzjikistan maken veelvuldig gebruik van cultureel erfgoed bij het ontwikkelen van een nationale identiteit en het creëren van nationalisme onder de bevolking. Hierbij zijn met name verwijzingen naar mythische helden en een glorieus verleden van belang.Show less
In the museum world, Western perceptions regarding indigenous peoples have often changed in the past and are still changing continually today. This thesis consists of an effort to trace these past...Show moreIn the museum world, Western perceptions regarding indigenous peoples have often changed in the past and are still changing continually today. This thesis consists of an effort to trace these past changes in representations of native peoples from the first museums to modern times, taking the Rijksmuseum voor Volkenkunde in Leiden as a case study. This case study turns out to be an illustrative example of how these changes occurred in ethnographic museums as results of the changes in the political and academic climate at the time, as well as the changing awareness indigenous peoples had of their own culture. By being aware of these past changes, it is better possible to plan ahead for the future.Show less
This study investigates the task of the Museum of Antiquities in the nineteenth century. The aim of this research was to see if the Netherlands would fit into the international museological...Show moreThis study investigates the task of the Museum of Antiquities in the nineteenth century. The aim of this research was to see if the Netherlands would fit into the international museological developments as presented by Tony Bennett in his book The Birth of the Museum. Several publications have been reviewed on this subject in order to explore how this relatively new branch within the museum studies is researched. A theoretical framework has been outlined with two main theorists on which this historical visitor-research usually rests: Michel Foucault’s work on power relations and Pierre Bourdieu’s work on class distinction. The work of Eric Hobsbawm on nationalism and nation-states has been added as a third main theoretical thread. The empirical research has been carried out on several different types of archival documents of the Museum of Antiquities to answer the main research question. This is embedded in a short history of the Museum of Antiquities. As a comparison a short history is added of the British Museum and their interaction with the public. The outcome of this study indicates that the Dutch museological development in the nineteenth century was not the same as described by Bennett in his book. In order to account for this deviant outcome a chapter on the political and social situations of the Netherlands in general and of the city of Leiden in particular has been added.Show less
Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
This thesis is a result of anthropological research that I conducted at the Volkenkunde Museum in Leiden (Museum of Ethnology). The research is about the change in the organization of the museum in...Show moreThis thesis is a result of anthropological research that I conducted at the Volkenkunde Museum in Leiden (Museum of Ethnology). The research is about the change in the organization of the museum in the last 25 years. The change of organization had an influence on the decision making process and consequently on the image that is being formed in exhibitions. The aim of this thesis is to explain how image-forming is been done in a decision making process. Specifically I will do this in relation to permanent and temporary Indonesian exhibitions at the museum. I use the term ‘imagined community’, introduced by Benedict Anderson, to show that the image that is formed in Indonesian exhibitions is an imagined one. When the museum went through a change of organization in the 1990’s, it also redecorated the exhibition halls. For the discussion on the new design of the museum I use the distinction made in Sally Price’s book ‘“primitive art in civilized places” between objects displayed in art and ethnology museum. As a case study I will describe my internship at the Volkenkunde Museum on the Queen Wilhelmina doll collection.Show less
