The occupation of Palestine by Israel is rarely studied from an environmental colonial perspective. Environmental issues, especially with the growing concerns over climate change, are instead...Show moreThe occupation of Palestine by Israel is rarely studied from an environmental colonial perspective. Environmental issues, especially with the growing concerns over climate change, are instead discussed in the dualist framework of nature versus society, in which human civilization is separated from the environment. Consequently, the environmental landscape is frequently perceived as ‘natural,’ and therefore: apolitical. In addition, the blame for the effects of climate problems in ex-colonies in the MENA is often put on the mismanagement of local people. In this way, the wider socio-political, cultural, and economic structures embedded in the environment, are overlooked. This thesis argues that in the last decennia art projects in Palestine highlight these often-ignored connections. They counter Israeli environmental colonialism in the West Bank, and show that the deterioration of the Palestinian environment is not an unfortunate byproduct of settler colonialism, but a factor that influences the entire ecology and various aspects of Palestinian life. Through the revival of ecology, (agri)cultural traditions, and communities, the art projects expose Israeli colonial practices that destruct Palestinian ecology. Within a human and ‘more-than-human’ ecology, they revive cultural and communal ties that are constantly threatened by settler colonial erasure. The artists resist these Israeli environmental colonial practices through sumud (‘steadfastness’), shifting away from the earlier symbolic display of landscape in Palestine, toward artistic interventions in the local ecology.Show less
