This thesis explores the endings of Quentin Tarantino's films through the lens of auteur theory. By analyzing the closing scenes of three of his works—Pulp Fiction (1994), Inglourious Basterds ...Show moreThis thesis explores the endings of Quentin Tarantino's films through the lens of auteur theory. By analyzing the closing scenes of three of his works—Pulp Fiction (1994), Inglourious Basterds (2009), and Django Unchained (2012)—the study aims to uncover the distinct stylistic elements that characterize Tarantino's directorial approach. The selected films span nearly two decades and various genres, providing a comprehensive overview of his evolving style. Key techniques such as bracketing, close-ups, music, and mirroring shots are identified as recurring elements in his endings. These techniques emphasize character emotions and control, creating memorable and impactful conclusions. The study concludes that Tarantino's unique signature is evident in his film endings, showcasing his consistent thematic focus on control and power dynamics .Show less
