This thesis provides an insight into the textiles of the Tarim Basin, focusing on colours and patterns. It provides a dataset of a hundred samples to compare and study the basin’s textiles and...Show moreThis thesis provides an insight into the textiles of the Tarim Basin, focusing on colours and patterns. It provides a dataset of a hundred samples to compare and study the basin’s textiles and through them, the cultures they came from. It discusses the Roman-centric view of western archaeologists and whether this is visible when studying the available archaeological data. There is a clear difference in chronology visible in the textiles, as earlier textiles were made using individually dyed threads woven into patterns, while later textiles have patterns painted on the fabric. There is also a shift in the use of colour and patterns within sites over the centuries, much like fashion trends come and go in the modern day. Most of the samples in the dataset are silks, proving that silk was not purely used as a valuta within the Silk Roads, but was also used for luxury garments, accessories and for religious use. The site of Loulan is an archaeological treasure, and within this thesis there is a focus on textiles from this site in particular, next to other sites like Niya and Sampula. Comparing the textiles show that it is almost impossible to attach cultural labels on these samples through colours and patterns, as they are a product of a melting pot of cultures coming together in the Tarim Basin. One sample will have multiple cultural influences, and can therefore not be placed in one category. Much remains unknown about these textiles and further research is necessary to be able to shed more light on a fascinating piece of history of the ancient Silk Roads.Show less
