This study sets out to understand the workings, uncover the outcomes and shed light on the insiders’ experiences of cram schooling in Japan. Cram schools are an intertwined part of the Japanese...Show moreThis study sets out to understand the workings, uncover the outcomes and shed light on the insiders’ experiences of cram schooling in Japan. Cram schools are an intertwined part of the Japanese education system, with the majority of Japanese students being enrolled in cram school at some time in their education. The seemingly necessary but in reality voluntary cram schools lead to several issues: one of them, referred to in this study as the first dimension, is the dimension of cram schooling causing a lot of stress for and pressure on the students, and depriving them from much-needed free time. The second dimension focuses on the accessibility of cram schools, and brings the debate of inequality and social immobility to this study. The third dimension is based on original interviews and provides an inside look into the experiences of cram school students and teachers, in a search for an answer to the research question: “How do the participants of Japanese cram schooling experience the cram schooling system and do their opinions match the criticisms voiced by outsiders?”Show less
A prominent aspect of traditional Japanese dance is that it contains parts or dances that are called “male” or “female” that can be danced by dancers of either sex. This study analyses the parts...Show moreA prominent aspect of traditional Japanese dance is that it contains parts or dances that are called “male” or “female” that can be danced by dancers of either sex. This study analyses the parts called “male” or otoko-furi and “female” or onna-furi within yosakoi dance, a modern style of Japanese folkdance through movement analysis and questionnaires. The research question is as following: What are the features of otoko-furi and onna-furi within yosakoi dance, and do these parts resist or affirm gender stereotypes? It becomes clear that it is hard to define otoko-furi and onna-furi, even though the parts contain contrasting movements. Furthermore, contrary to traditional dance the gender of the body of the dancer matters for the execution of the part. This forces dancers to conform their dancing part to the sex of their body, and affirm gender stereotypes rather then resisting them.Show less
