Cultural representation through the use of artefacts is a challenging but vital role of any ethnographic collection. It is therefore important for ethnographic collections to consider the kinds of...Show moreCultural representation through the use of artefacts is a challenging but vital role of any ethnographic collection. It is therefore important for ethnographic collections to consider the kinds of narratives and knowledge which is created through the exhibition of artefacts. In order to understand the past and present patterns of a collection’s display, a comprehensive study of its exhibition history must first be mapped out. Such information is useful for curators to understand how their collections have been used in the past, how they are used presently and how they may improve their use for the future. This research paper does such a study, by looking at the exhibition history of the Weltmuseum Wien’s Brazilian collection. By compiling data from past exhibitions, the frequency of display for each accessioned object has been identified. The data was gathered using the museum’s database, archival loan contracts as well as past exhibition catalogues. Analysis of this data set was conducted in order to discuss the implications and findings. Particular interest is paid to the most exhibited objects in the collection and the consequences pertaining to their frequent display. Curatorial practices and the creation of narratives in the museum context are discussed. In order to contextualize this research, the history of loaning and curatorial practices are generally considered as well as in relation to the Weltmuseum in particular. The museum’s origins, the creation of the collection and the key collectors involved are described. This information offers the reader a better understanding of the types of objects in the collection and their background. The findings of this research are positioned in relation to the greater debates surrounding curatorial and exhibition practices in the field. Themes concerning stakeholders, indigenous communities and museum ethics are included throughout the paper. This research also contributes to the academic and curatorial management work currently underway at the museum. By combining the three data sources (database, loan records, exhibition catalogues), the comprehensive list which was created in this study will directly benefit the museum and their records.Show less
