This thesis raises the following research question: How does Zheng Xiaoqiong narrate the experience of the female migrant worker and their views on marriage in her anthology Female Workers: A...Show moreThis thesis raises the following research question: How does Zheng Xiaoqiong narrate the experience of the female migrant worker and their views on marriage in her anthology Female Workers: A Record? Reading Zheng Xiaoqiong’s Female Workers, I argue that her work is a form of agency because she communicates the experience of female migrant workers different to existing mainstream narratives. My aim is to show how poetic representations can provide alternative perspectives on the experience of female workers.Show less
The purpose of my research is to study the dominant discourse on China’s Belt and Road Iniative in Africa within news articles published by the Chinese news agency Xinhua, and how China perceives...Show moreThe purpose of my research is to study the dominant discourse on China’s Belt and Road Iniative in Africa within news articles published by the Chinese news agency Xinhua, and how China perceives its own role in Africa.Show less
The thesis has translated the whole work of Weishi Sanshi Lun Zhijie (Ch. 唯識三十論直解) which is Ouyi’s exegesis of Triṃśikā from classical Chinese to English based on the version of the Chinese...Show moreThe thesis has translated the whole work of Weishi Sanshi Lun Zhijie (Ch. 唯識三十論直解) which is Ouyi’s exegesis of Triṃśikā from classical Chinese to English based on the version of the Chinese Buddhist Electronic Text Association (CBETA). Zhijie was written in 1647 by Ouyi and has the length of 7066 characters in CBETA version. Secondly, when possible and especially interesting, I compared Zhijie to the work of Cheng weishi lun（Ch. 成唯識論）, which is another exegesis of Triṃśikā written by Xuanzang (Ch. 玄奘, 602-664) during the Tang dynasty. In addition to this, my thesis also critically reviews Dan Lusthaus’s English translation of Xuanzang’s Triṃśikā .Show less
This paper explores the history of Chinese Shuaijiao (wrestling). The sport has a history that is connected to the development of Chinese nationalism during the transformation of Qing China into...Show moreThis paper explores the history of Chinese Shuaijiao (wrestling). The sport has a history that is connected to the development of Chinese nationalism during the transformation of Qing China into the Chinese Republic. Shuaijiao morphed from an activity which occupied an important position in the Manchu Qing empire into an instrument to promote Republican nationalism.Show less
In Japan, the concept of genze riyaku, which literally means ‘this-worldly benefits’, implies the sphere of this life in which most prayers, requests and needs of the Japanese towards the supposed...Show moreIn Japan, the concept of genze riyaku, which literally means ‘this-worldly benefits’, implies the sphere of this life in which most prayers, requests and needs of the Japanese towards the supposed power of the other world (takai) and its occupants (such as kami, Buddhas and ancestors) are directed. The notion, aside from its materialistic ethic, may be aimed at the attainment of peace of mind and emotional solace; inside this framework, it is usually possible to distinguish four different categories: prevention from disasters, wish for success in life and career, a prosperous love life, and the quelling of demons. First of all, it will be important to establish the limits of the concept ‘religious’ that so often we find in the literature about this topic, which “takes for granted an essentialist (and basically Christocentric) definition of religion” [Josephson, 2011]. After laying the foundations of the Japanese ‘religious’ situation, I will return to the main topic of genze riyaku, better describing the elements that it comprises and that are related to it, such as kudoku (merit). Further, I shall explain how the support from shrines and temples can be provided in different ways, such as through specific rituals, prayers from priests, the personal worship of statues or other sacred objects, and so on. Nonetheless, another option that enable the granting of benefits is the purchase of talismans and amulets, known as ema, omamori and ofuda: altogether, it is possible to affirm that what is embedded in these ritual institutions is a role of crisis management. Since the presence of genze riyaku dates back to before the introduction of the Western concept of religion in Japan, how should we actually label it? Is it a social, cultural, religious concept? What is its relationship with the ritual institutions, and does the genze riyaku help in stressing this sort of “Japanese religiousness”? Lastly, what can the economic aspect around the selling of talismans and amulets or paid rites tell us about the notion of genze riyaku?Show less
This thesis compiles views on music and dance scattered throughout the Pāli Canon and its commentaries. It starts with negative views, widely considered the most characteristic, and lists the...Show moreThis thesis compiles views on music and dance scattered throughout the Pāli Canon and its commentaries. It starts with negative views, widely considered the most characteristic, and lists the spiritual, emotional and even social reasons given in the early texts for the avoidance of musical art forms. The rest of the work addresses less known, wholesome uses of music: ‘devotional’ compositions, apparently as old as the oldest strata of the Pāli Canon (according to the texts themselves, many eons older), and a handful of episodes where advanced practitioners are led to Nirvana by the lyrics of peasant songs. The last chapter is dedicated to two meditational states that seem to involve perceptions of beauty, the ‘beautiful-liberation’ (subha-vimokkha) and the samādhi of divine sounds of the Mahāli Sutta. The conclusion argues that a more balanced image of the early Buddhist approach to art is needed to make sense of modern Buddhism and its embrace of a perhaps not so foreign ‘Romantic’ aestheticism.Show less
In the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample...Show moreIn the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample images’, to force converts to apostatize. This thesis analyses an extant fumi-e from the Rijksmuseum voor Volkenkunde, and aims to answer how this fumi-e can be used as an illustration of the process of mutual exchange and adaptation, also called transculturation, that occured before and during the persecution. Using Panofsky’s iconological analysis, the image on the fumi-e can be identified as a depiction of the Madonna of the Rosary. Art featuring this motif was brought to Japan by European missionaries. The fumi-e shows stylistic influences from non-European artistic traditions. These are reminiscent of the art made by Japanese students of the Jesuits, Japanese Buddhist art, the yamato-e style, and nanban art. These influences can be explained by placing the object in the context of the persecution. The Volkenkunde fumi-e was specifically made for the persecution, as a replacement of the worn-out initial fumi-e that consisted of paintings and other fragile items. Using other extant fumi-e featuring the same motif, the development and gradual change of the ‘Madonna of the Rosary’ image can be seen. This change can be explained by the lack of European examples due to the ongoing persecution, and the process of transculturation that had already begun with the first missionaries. This process of transculturation can be seen in other aspects of the persecution as well. The government systematized three major ways of persecution, which can be seen as methods of surveillance and population control. These methods were social control in the form of the goningumi system and offering rewards to informants, monitoring in the form of obligatory registration at Buddhist temples and the compilation of population registers, and tests of faith using the fumi-e. These methods did not only impact Christians, but became part of the fabric of Japanese society, and affected the shape of Japanese Buddhism as well. Furthermore, they asserted the authority of the Tokugawa government. The persecution also helped shape a narrative about identity, in which Christians served as the ‘Other’ against which ‘Japaneseness’ could be contrasted. Echos of this narrative can be seen throughout the Edo period extending into early Meiji, and even in contemporary attitudes towards (Western) foreigners. The Volkenkunde fumi-e illustrates all these points. Its visual qualities show the artistic exchange in the ‘Christian Century’, while its purpose and use demonstrate how the subsequent persecution transformed society by providing methods for population control, assertion of authority for the Tokugawa bakufu, and creating a narrative about identity. It is therefore both a product and an illustration of the transcultural process that occured in the encounter between Japan and Christianity.Show less
The exponential increase in Chinese investments abroad since the 2008 financial crisis, along with the idiosyncratic characteristics associated with Chinese investment, has led to policy debates in...Show moreThe exponential increase in Chinese investments abroad since the 2008 financial crisis, along with the idiosyncratic characteristics associated with Chinese investment, has led to policy debates in many developed economies around the world. This thesis conducts a discourse analysis of the policy debate on Chinese investments in key technologies in the European Union that started around 2016, led by the normative research question “Should the EU protect European key technologies from being acquired by Chinese entities through Foreign Direct Investment?". It analyses respectively the purpose of the actors involved (China and the EU); the (perceived) necessity of EU protection of key technologies from Chinese FDI; and the risks related to the protection of key technologies in the EU. In doing so, it provides an overview of the different discourses, building on theoretical insights from a wide range of literature: including on strategic thinking in the EU, and the drivers behind Chinese FDI for both firms and polities.Show less
The thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's...Show moreThe thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's attributes in the Buddhist and pre-Buddhist religious art of Tibet.Show less
Providing for deceased ancestors in the afterlife through offerings is a millennia-old custom in China. In recent years have the elaborate paper effigies of worldly goods that are burned for this...Show moreProviding for deceased ancestors in the afterlife through offerings is a millennia-old custom in China. In recent years have the elaborate paper effigies of worldly goods that are burned for this purpose however received heavy criticism in Chinese and international media as the inclusion of modern luxury and brand items into the repertory of paper offering goods is seen as a deviation from long-standing traditions. The comparative study conducted in this thesis puts side by side ancient burial goods, the predecessors of the current paper offerings, and contemporary paper effigies in an attempt to answer the question whether luxury and brand items in the ancestral offering context constitute as claimed a break with tradition. The study has shown that throughout history, luxury items have been a constant feature of ancestral offerings. The expensive goods are not only a sign of the wealth and status of the bereaved family members in the hereafter, but also help the deceased to gain prestige and a high position in the social hierarchy of the afterlife. While in earlier times, the value of an offering was primarily determined by the value of the material it was made from, symbolism became the main indicator of value as offerings began to be commonly made from cheap materials like clay and nowadays paper. The replicas of contemporary luxury and brand items with their associated value are a modern take on the ancient practice of assigning value to otherwise valueless offerings through symbolic power.Show less
As Chinese domestic tourism to Tibet continues to grow, understanding the mechanisms and ‘effects’ of such ethnic tourism becomes increasingly important. The historical story of the marriage...Show moreAs Chinese domestic tourism to Tibet continues to grow, understanding the mechanisms and ‘effects’ of such ethnic tourism becomes increasingly important. The historical story of the marriage between the Chinese princess Wencheng and the Tibetan king Songtsen Gampo is commonly known in China and employed by the Chinese government to legitimize their modern rule over Tibet. This study uses Critical Discourse Analysis to research a theater play of this story, and the presence of this story in Tibet’s many tourist sites. The results of the analysis reveal a process that shows how state-directed stories could become commonly regarded as ‘true’, with tourism as the primary vehicle to advance such a process. I argue that such a process can be found in other cases as well, and is not unique to the story of princess Wencheng.Show less
The 'White Temple' at Tsaparang, in Western Tibet preserves some of the most important pre-sixteenth century works of art of Tibet. The temple is dated on literary grounds to around 1540, but its...Show moreThe 'White Temple' at Tsaparang, in Western Tibet preserves some of the most important pre-sixteenth century works of art of Tibet. The temple is dated on literary grounds to around 1540, but its works of art seem to indicate - on iconographic and stylistic grounds - that it was built before 1440. The temple used to be one of the main shrines in a monastery still counting circa sixty monks towards the end of the 17th century, but abandoned some time later when Western Tibet depopulated. Tsaparang was rediscovered and first described by the Italian Tibetologist Giuseppe Tucci in the 1930’s. My thesis shows that Tucci mixed the temples up. Facts derived from authoritative Tibetan literary sources have therefor been attributed to the wrong monuments. Contemporary authors focusing on the region have not noticed this, resulting in a growing amount of literature based on an unclarified chronology of the temples at Tsaparang.Show less
In China, more and more security cameras on the streets are equipped with facial recognition technology. This artificial intelligent technology can identify a person immediately. Some fear for a...Show moreIn China, more and more security cameras on the streets are equipped with facial recognition technology. This artificial intelligent technology can identify a person immediately. Some fear for a great scale breach of privacy. This thesis discusses how the Chinese government conveys the message to the people that it is using this facial recognition technology. By conducting a discourse analysis, Chinese state-media Xinhua.net articles are analyzed. Mainly, this thesis shows that there is hardly any mention of privacy breach by using this technology in the articles. Second, it shows that local instead of national initiatives of facial recognition technology use are discussed to a larger extent.Show less
