In the last twenty years new forms of socially engaged art have globally emerged aiming to address the impellent environmental perils. Contemporary Japan, where the belief in an ancient harmonious...Show moreIn the last twenty years new forms of socially engaged art have globally emerged aiming to address the impellent environmental perils. Contemporary Japan, where the belief in an ancient harmonious human-nature cohesion is presented as an authentic heritage, provides an intriguing starting point for investigating the emergence of such ecologically committed art forms. How are contemporary art initiatives attempting to sensitize the public to sounder relational and “ecosystemic” ways of living? What are the proposals that are currently being set forth? The comparison and contrast of two initiatives, the Echigo-tsumari Art Field and the Tokyo-based teamLab project, will allow me to move towards the central hypothesis of this thesis, that is, that self-consciously labelling certain artistic practices as “eco”, can sometimes be a pretext for a variety of economic, social and cultural purposes rather than just an artistic concern. The Japanese conception of nature (shizenkan), which inspires both initiatives will be proposed here as a double-edged sword: on the one hand, it can be exploited to market and sell a static, fictionalized idea of nature, but it also has the potential to become a valuable representational idea from which to depart to develop something new.Show less
