This thesis examines to what extent Lega turned itself and its creation of the Padanian nation into a political religion between 1989 and 2001. It researches how Lega Nord and the nation it created...Show moreThis thesis examines to what extent Lega turned itself and its creation of the Padanian nation into a political religion between 1989 and 2001. It researches how Lega Nord and the nation it created aimed to involve itself in all aspects of its followers’ lives, and present them with a sense of community and purpose. The story Lega told, the symbols, myths and liturgy it used played an essential part in the development of this political religion. It is this story, these symbols and the liturgy that form the core of this thesis.Show less
The thesis sketches the development of Alsatian regional consciousness in the works of Ehrenfried Stoeber (1779-1835), a poet from Strasbourg. His works demonstrate an increasing awareness of...Show moreThe thesis sketches the development of Alsatian regional consciousness in the works of Ehrenfried Stoeber (1779-1835), a poet from Strasbourg. His works demonstrate an increasing awareness of Alsatian and French identity, while initially, his affiliation with Germany and the Alemannic region had been clearer.Show less
L'Appel au soldat is een roman die Maurice Barrès schreef vanuit zijn nationalistische doctrine La Terre et les Morts en heeft de Boulanger Affaire als onderwerp. Een literaire analyse van de...Show moreL'Appel au soldat is een roman die Maurice Barrès schreef vanuit zijn nationalistische doctrine La Terre et les Morts en heeft de Boulanger Affaire als onderwerp. Een literaire analyse van de personages, vertelwijze en verhaallijn toont aan dat het een roman à these is, omdat het verhaal de lezer probeert te overtuigen van de ideeënleer. Door zijn nationalistische blik van 1900 kijkt Barrès anders naar de betekenis van het boulangisme en Boulanger. Het boulangisme van Boulanger was niet simpelweg een onderdeel van de Franse politieke geschiedenis, maar een etappe op de weg naar La France éternelle. Het heeft de weg vrijgemaakt voor eerst het boulangisme barrésien en later zijn nationalistische doctrine. Het boulangisme van Boulanger dat Barrès neerzet in de roman heeft als belangrijkste resultaat het opwekken van de fièvre onder de bevolking. Deze fièvre ontwikkelde zich verder tot een énergie national, wat nodig was voor la France éternelle. Doordat Barrès het boulangisme achteraf bekijkt met zijn nationalisme in het achterhoofd ziet hij deze gebeurtenissen aan voor wat ze toentertijd niet waren.Show less
A research into the role newspapers play in introducing football into the Dutch identity during the golden age of Dutch football, the 1970’s, in which Ajax won the Europa Cup I in ’71, ’72 and ’73...Show moreA research into the role newspapers play in introducing football into the Dutch identity during the golden age of Dutch football, the 1970’s, in which Ajax won the Europa Cup I in ’71, ’72 and ’73 and the Dutch national team came second in the World Cup 1974. Specifically the change in reporting on Ajax between 1965 and 1974 and the Dutch national team between 1970 and 1974, where the football these teams played became branded as typically Dutch: the Dutch School (Hollandse School) an total football (totaalvoetbal). This type of football symbolised the Dutch identity, as several typical Dutch qualities where ‘recognised’ within this football, and after the success, varying non-football related products were promoted with references to these playing styles, implicating they had become part of the Dutch national identity. Another point of view, among several others, was the togetherness Dutch footballing success brought the nation. Newspapers wrote extensively about all provinces being united by Dutch football as well as all kinds of people and professions, ranging from anarchists to the prime minister, being united by the ‘Brilliant Orange’.Show less
In 1837, Louis-Philippe of Orléans, ‘King of the French’, opened the Musée de l’Histoire de France in Versailles, a museum that celebrated the history of France. Louis-Philippe had come to power...Show moreIn 1837, Louis-Philippe of Orléans, ‘King of the French’, opened the Musée de l’Histoire de France in Versailles, a museum that celebrated the history of France. Louis-Philippe had come to power after the July Revolution of 1830, which had overthrown the reign of the Bourbon kings. A part of the Musée was dedicated to the Crusades, the Christian military expeditions in the Middle East during the Middle Ages: the Salles des Croisades. This thesis discusses how the history of the Crusades was constructed in the Salles, and how this construction is explained by the political and cultural context of the July Monarchy (1830-1848). In the Musée, the history of France was displayed in hundreds of history paintings. The July Monarchy was a constitutional monarchy, and presented itself as a ‘golden mean’ between popular power and royal absolutism. By displaying the history of France as a united whole in the Musée, the regime hoped to heal the wounds of fifty years of political division. In the Salles, Louis-Philippe equated French identity with Christianity, by depicting the roots of the French nation in the Crusades. The king had three political reasons for promoting the Christian identity of France: reconciliation, ideological justification and legitimation. Firstly, the construction of the history of the Crusades in the Salles was similar to a conservative vision of medieval history, in which the Christian religion was the guiding principle. By affirming the validity of this vision in the Salles, Louis-Philippe sought reconciliation with those who wanted a return to the ancien régime. Moreover, Christianity was depicted as a nationally unifying force, which corresponded with the king’s wish to reconcile political divisions. Secondly, an appeal to France’s obligations as a Christian nation, through making a historical parallel with the deeds of Saint Louis, ideologically justified the conquest of Algeria. Lastly, a focus on Christianity gave the July Monarchy a firm foundation in history, thereby making it less radical and less revolutionary. The potency of Crusading imagery is explained by several cultural trends. This thesis discusses a number of important cultural contexts, such as the rise of Romanticism, the politicized nature of history, the changing practice of history painting, attitudes towards the Middle Ages, the place of the Crusades in historiography, the French reactions to the Greek War of Independence, and the mythical image of Saint Louis.Show less
In dit onderzoek is getracht om een antwoord te vinden op de vraag of de perceptie van verwelkoming invloed heeft op het land waar een Afghaanse migrant in Nederland zich mee verbonden voelt.De...Show moreIn dit onderzoek is getracht om een antwoord te vinden op de vraag of de perceptie van verwelkoming invloed heeft op het land waar een Afghaanse migrant in Nederland zich mee verbonden voelt.De Afghaanse vluchtelingen die tussen 1989 en 2001 naar Nederland zijn gekomen zijn te verdelen in drie categorieën, verdeeld naar het land waar ze zich het meeste mee verbonden voelen. 16 respondenten zijn geïnterviewd. Het onderzoek lijkt er op te wijzen dat de perceptie van verwelkoming een impact heeft op het land waarmee een migrant zich verbonden voelt. Behulpzaamheid vanuit officiële instanties werd door respondenten gewaardeerd, maar is uiteindelijk maar een beperkt onderdeel van de perceptie van verwelkoming. Naast de officiële opvang speelt namelijk de verwelkoming vanuit de sociale omgeving van de migranten een grote rol: veel respondenten die zich maar ten dele of niet met Nederland verbonden voelen hebben aangegeven in meer of mindere mate last te hebben gehad van stigmatisering, waardoor ze zich niet volledig hebben kunnen ontwikkelen en vestigen in de Nederlandse maatschappij.Show less
This thesis constitutes the first monograph on British propaganda for Spain during the Second World War, as part of the British war effort to diminish Nazi influence in Spain and to keep Franco out...Show moreThis thesis constitutes the first monograph on British propaganda for Spain during the Second World War, as part of the British war effort to diminish Nazi influence in Spain and to keep Franco out of the war or to defer his entry as long as possible. From his appointment as ‘special’ ambassador to Spain, Sir Samuel Hoare’s personal appeasing initiatives quickly escalated into a systematic and well-organised propaganda organisation with headquarters at the Madrid embassy. With the help of the embassy staff, Hoare managed to establish an important network of contacts that ensured that British propaganda material breached Franco’s restrictions and reached Spaniards from all classes and regions. As this study argues, the embassy’s propaganda successes were mainly due to the fact that the propagandists knew how to adjust British interests to Spanish customs and norms. For instance, this thesis will give detailed account on the functioning of some peculiar methods of propaganda such as the so-called Religious Propaganda and the Embassy Medical Service. Lastly, this study will also analyse the propagandists’ constant exposure to violent aggressions at hands of the police and the members of the Falange, as well as their struggle to keep British opinion as neutral as possible regarding Spain.Show less
The post-punk period of 1979 to 1982 saw significant cultural transfer between elements of the Dutch, German and Anglo-American alternative music scenes. In the Netherlands, most of this cultural...Show moreThe post-punk period of 1979 to 1982 saw significant cultural transfer between elements of the Dutch, German and Anglo-American alternative music scenes. In the Netherlands, most of this cultural transfer revolved round the members of the ULTRA scene. ULTRA stood for “ultramodern” and promoted avant garde post-punk music that used new or unconventional instruments and performance modes. ULTRA was mainly based round weekly “ULTRA” nights at the Oktopus club in Amsterdam and the music released on the Amsterdam-based Plurex and Torso record labels; though similar scenes flourished in Den Bosch, Nijmegen and Eindhoven. ULTRA drew a great deal of its creative impulse from the art schools such as the Rietveld Academy in Amsterdam, and had close links to the both squatting and punk scenes then active in the Netherlands. However, ULTRA was transnational in outlook and often looked outside the Netherlands for inspiration and support. And a number of its most successful proponents, such as the Amsterdam band Minny Pops, garnered international critical acclaim. Using Simon Frith's principles for studying popular music (alongside content from the publication most associated with the ULTRA scene and its musicians, Vinyl magazine, as well as interviews with key actors in the ULTRA scene) the paper looks to evaluate ULTRA's cultural worth; and how its Dutch origins affected the scene in the wider rubric of international popular music.Show less
