In this thesis I have argued that Collins' The Hunger Games trilogy forms a sandbox for Young Adults to consider and play around issues of social justice. I have linked the events in the books to...Show moreIn this thesis I have argued that Collins' The Hunger Games trilogy forms a sandbox for Young Adults to consider and play around issues of social justice. I have linked the events in the books to events in historical or contemporary societies and have done so by making use of Foucault's political theory of a control and disciplinary society.Show less
Medusa is an ongoing traditional subject within art. However, she is often depicted as an objectified version of her decapitated head or as a demonised version of a woman. In this research, I...Show moreMedusa is an ongoing traditional subject within art. However, she is often depicted as an objectified version of her decapitated head or as a demonised version of a woman. In this research, I analysed if contemporary artworks were depicting Medusa as feminine and monstrous by researching and discussing her physical features, as well as determining what these aspects can tell us about contemporary society. This was achieved through the use of three case studies; Luciano Garbati’s Medusa with the Head of Perseus, Damien Hirst’s The Severed Head of Medusa, and PichiAvo’s Medusa. Through visual analysis and comparison, combined with literary and visual contextualisation from both contemporary and historic times, it was determined that contemporary artworks tend to stray from the stereotypical media portrayal of Medusa as a beast. Each artwork had feminine and monstrous aspects, each with different intentions and reasons. What they ended up showing within society is that Medusa’s story is being retold and the arts are helping convey this message. While some still focus on the monetary gains of art, others use their artworks of Medusa to support female empowerment.Show less
This thesis focuses on intergenerational Japanese American activism after 1945, relating to nuclear weapons. Both hibakusha (i.e. atom-bomb survivors) and Americans with Japanese heritage voiced...Show moreThis thesis focuses on intergenerational Japanese American activism after 1945, relating to nuclear weapons. Both hibakusha (i.e. atom-bomb survivors) and Americans with Japanese heritage voiced their concerns about a nuclear holocaust. Traced over time, this thesis argues that Japanese American activist groups addressed and reflected on the critical heritage of the bomb, making sure that there will be “No more Hiroshima’s and Nagasaki’s.”Show less
This thesis examines the role of the norm of the Responsibility to Protect (R2P) during the 2017 Rohingya crisis in Myanmar. Literature shows humanitarian crises have continuously impacted the norm...Show moreThis thesis examines the role of the norm of the Responsibility to Protect (R2P) during the 2017 Rohingya crisis in Myanmar. Literature shows humanitarian crises have continuously impacted the norm of R2P since 2005, shifting it towards or away from internalization in the international community. The 2017 crisis in Myanmar presented an opportunity for the United Nations Security Council (UNSC) to implement the norm yet are widely regarded unsuccessful in doing so. Through conducting a Discourse-Theoretical Analysis (DTA) of UNSC meeting records on the Rohingya crisis, this thesis explores the norm’s (lack of) influence at the time. The analysis finds the duty of a government to protect its citizens and the duty of the international community to assist a struggling government are widely accepted, yet the duty of the international community to protect citizens against their own government is not. Finally, this thesis urges for further research on discourse and R2P to understand what drives UNSC member states in adhering to or rejecting the norm.Show less
Een onderzoek over hoe de publieke ruimte werd gebruikt en opgeëist door communisten en sociaaldemocraten tijdens politieke straatactiviteiten in de Haagse Binnenstad tussen 1929 en 1939.
Een onderzoek over hoe de publieke ruimte werd gebruikt en opgeëist door communisten en sociaaldemocraten tijdens politieke straatactiviteiten in de Haagse Binnenstad tussen 1929 en 1939.
