This thesis analyses the impact of the colonization era of Japan on South Korea, and how this impacts the economic relations between these two countries over the last decade. Furthermore, this...Show moreThis thesis analyses the impact of the colonization era of Japan on South Korea, and how this impacts the economic relations between these two countries over the last decade. Furthermore, this thesis will look into the events that took place during the colonial era, such as the comfort women issue and the forced labor issue.Show less
The first elections after the anti-establishment Arab Spring protests resulted in a victory for Islamist political parties in a number of MENA countries. This came as a surprise to the West, which...Show moreThe first elections after the anti-establishment Arab Spring protests resulted in a victory for Islamist political parties in a number of MENA countries. This came as a surprise to the West, which points of view are known to contradict Islam with the democracy and civil liberties that the Arab Spring protests called for. It comes as no surprise then that Islamist political success is often contributed to the inclusion of these parties in a pluralist and democratic playfield. Allegedly, this forces them to bargain and negotiate with other actors, resulting in the disappearance of Islamist ideological elements and making them viable options for the electorate. This prominent way of thinking - which has been called the moderation through inclusion theory - is much critiqued for being too shortsighted in its view of political Islamism. That is why this thesis argues in favor of an alternative approach that shifts the focus from the outcome of a period of political transition and whether or not this is moderate, to one that emphasizes the processes and internal and external factors that shape the ideological transformations of these parties. By looking at the most prominent Islamist parties of three countries (Tunisia, Morocco and Egypt) and tracing their historical developments and contexts based on these internal and external factors, this thesis then offers an alternative explanation to the popularity of political Islamism in the first elections after the Arab Spring uprisings.Show less
Vermeer was born and baptised as a Protestant. Due to his marriage to the Catharina Bolnes, a Catholic woman of high society, Vermeer converted to the Catholic faith. Vermeer started as a history...Show moreVermeer was born and baptised as a Protestant. Due to his marriage to the Catharina Bolnes, a Catholic woman of high society, Vermeer converted to the Catholic faith. Vermeer started as a history painter. Among his first known works are large paintings with religious (Catholic) subject matter. Later, he mainly painted small genre pieces. One of his last works, however, is Allegory of the Catholic Faith, an enormous painting. In this thesis it is argued that the change in painted subject matter is a result of Vermeers conversion to Catholicism. His religious paintings are most probably commissioned. Since the Protestant faith was the State religion in the 17th century Netherlands and the Catholic faith was officially prohibited, the market for paintings with Catholic subject matter was very limited: eligible clients were either hidden churches, or rich Catholic civilians. Economic motives - Vermeer had a large family to maintain - may have urged him to tap into a new market. Genre paintings were popular at the time. The small format of Vermeer's genre paintings involved less costs. Unknown is whether these genre paintings were commissioned. It is assumed that his genre paintings were sold immediately after, of even before, they were finished. Half of Vermeer's paintings were bought by his patrons, the Protestant couple Van Ruijven-De Knuijt from Delft. No relation is apparent between Vermeer's shift to (mainly) genre painting and his stilistic development. Vermeer's fame is mainly due to his non-religious later work, especially his genre pieces.Show less
