The present study challenges the image of pessimism associated with modernist poetry. By exploring the poetry of T. S. Eliot, W. B. Yeats, and Ezra Pound using Ernst Bloch’s principle of hope, it...Show moreThe present study challenges the image of pessimism associated with modernist poetry. By exploring the poetry of T. S. Eliot, W. B. Yeats, and Ezra Pound using Ernst Bloch’s principle of hope, it becomes apparent how, for all three poets as well as for Bloch, language is bestowed with a foundational faith. Hope manifests itself in a desire to overcome the waste land’s teleological void in Eliot, to come to terms with the totalitarian inescapability of death in Yeats, and, in Pound, to articulate absolute essence.Show less
This thesis studies the connection between suffering and sentience in Karel Capek’s R.U.R. (1921) and the first season of Westworld (HBO, 2016). Both R.U.R. and Westworld present suffering as a...Show moreThis thesis studies the connection between suffering and sentience in Karel Capek’s R.U.R. (1921) and the first season of Westworld (HBO, 2016). Both R.U.R. and Westworld present suffering as a catalyst for the emergence of a human form of consciousness in artificial people. Initially, however, organic human characters in both texts are convinced that artificial people feel no pain and are unable to suffer. The organic human characters use this supposed inability to justify the inhumane treatment of the artificial characters. This thesis demonstrates how R.U.R. and Westworld reflect on the ways that theories about differences in sensitivity to pain were and continue to be used to justify the mistreatment of Others in real life. Additionally, the thesis shows how R.U.R. and Westworld offer illustrations of the philosophy of Emmanuel Levinas, in which one’s suffering in response to the Other’s suffering is the foundation of becoming a fully human subject. The thesis shows how R.U.R. and Westworld interweave these opposite ways of responding to the suffering Other, and thereby contribute to a better understanding of the role of suffering in the ongoing negation of what it means to be human.Show less
This thesis aims to explore the recent depictions of robots through the close reading of two science fiction works published within the last few years, in order to unveil the shifting,...Show moreThis thesis aims to explore the recent depictions of robots through the close reading of two science fiction works published within the last few years, in order to unveil the shifting, contradictory attitudes society has with regards to the artificial companions which continue to grow increasingly prevalent in our present-day lives. Both literary case studies exhibit the challenges of navigating a balanced hierarchy of power relations between robots and humans, because despite the mental and physical superiority of human replicas, their status as machines means robots are decidedly treated like slaves. Moreover, the thesis aims to demonstrate how both novels raise thought-provoking questions about humans' moral shortcomings in the face of their law-abiding and potentially messianic robot counterparts.Show less
This thesis examines the way in which the novels Parable of the Sower and Parable of the Talents present inequality based on disability, gender, class, religion and race and critically examines the...Show moreThis thesis examines the way in which the novels Parable of the Sower and Parable of the Talents present inequality based on disability, gender, class, religion and race and critically examines the intersections between these socioeconomic inequalities. This thesis focuses on the concept of change. Butler utilises science fiction — the genre of change — to critique social inequality on the basis of disability, gender, class, religion and race by founding Earthseed — the religion of change. Intersectionality is a tool, or lens, that aids in achieving change.Show less
In this thesis the Dementor from the Harry Potter series is studied as a monster within the framework of monster theory. The Dementor is read as a symbol for depression.
Browsing through the archives of the Rotterdam Public Library, I discovered that the historic book collection contains a single publication by an English woman at the seventeenth-century Rotterdam...Show moreBrowsing through the archives of the Rotterdam Public Library, I discovered that the historic book collection contains a single publication by an English woman at the seventeenth-century Rotterdam publishing house of Goddaeus, that of Katherine Sutton. Asking myself why this was the only book by a woman to be published at Goddaeus’ publishing house, my curiosity was aroused to find out why this English woman chose to publish a book in the Netherlands. It challenged me to discover if more women found their way to Rotterdam to publish their work and what their motives were. I found out that in the second half of the seventeenth century, more English women travelled to the Netherlands to seek refuge and two of them had their work published by Goddaeus: Katherine Sutton (1630-63) and Mary Hampson (1639-1698). Although they migrated in different time periods and for different reasons, they both seized the opportunity to publish their life experiences at a Dutch publishing house. Although the historical archives offer little to no information on the reason for their connection to Goddaeus, the fact that both women took their chance to publish their works while in exile, in their native language at a Dutch publishing house, triggered me to find out more. What follows here, is an overview of the cultural-historical context of the seventeenth century; an overview of connections and differences between English and Dutch society; the social impact of the seventeenth century printing industry; the position of women and their position to write; and ultimately how this culminates in the aim of these two women in particular, to pursue truth by making their life experiences public by means of print.Show less
