This study explores the role of the qipao in shaping the representation and perception of Chinese women’s modern cultural identity during the early twentieth century. In a period of societal...Show moreThis study explores the role of the qipao in shaping the representation and perception of Chinese women’s modern cultural identity during the early twentieth century. In a period of societal instability, Chinese women sought a modern identity that harmonized with their cultural values. Utilizing visual research and literature analysis, the research underscores the qipao’s significance as both a tool and a symbol in popular visual culture forming women’s identities. Emphasizing the socio-historical context, the study highlights the qipao’s role as a bridge between tradition and modernization in Shanghai’s cosmopolitan environment. Through magazines, calendar posters, and cinema, the qipao emerges as a dynamic cultural dress, influencing representations and perceptions of the modern woman’s cultural identity.Show less
This thesis delves into the intersection of Buddhism, medicine, and art through the lens of seventeenth-century Tibetan paintings known as the Blue Beryl series. These intricate artworks not only...Show moreThis thesis delves into the intersection of Buddhism, medicine, and art through the lens of seventeenth-century Tibetan paintings known as the Blue Beryl series. These intricate artworks not only serve as repositories of medical knowledge but also reflect the cultural, religious, and political values of their time. Central to these paintings is the representation of indigenous Tibetan perspectives on spirit-caused illnesses, which focus on the existence of elemental spirits deeply rooted in local beliefs and landscapes. The research aims to investigate the indigenous Tibetan beliefs surrounding spirit causation and illness as depicted in the Blue Beryl paintings, offering a deeper understanding of these often misconstrued spiritual entities. By closely analyzing the iconography within these artworks, the study seeks to unveil the presence and significance of non-Buddhist beliefs and practices within Tibetan psychiatry, shedding light on a less-explored aspect of Tibetan medicine and spirituality.Show less
For millions of people in Southeast Asia, Buddhism is more than a religion in the Western sense; it is a lifestyle. Theravada Buddhism in Thailand is intimately connected to Thai governance,...Show moreFor millions of people in Southeast Asia, Buddhism is more than a religion in the Western sense; it is a lifestyle. Theravada Buddhism in Thailand is intimately connected to Thai governance, society, and culture. Since the 1980s Thai Buddhism has created links with environmentalist movements. The Buddhist Environmental movement in Thailand has two terms related to monks: firstly, Development Monks or phra nak phatthana, and secondly, Forest Monks or phra nak anuraksaa. By 1991, there were some 250-300 Development Monks, comprising an important network in village grassroots communities, especially rural communities, and premised the desire to introduce a ‘Buddhist way of sustainable development'.Show less
This paper explores why Hinduism acts as a source of empowerment for Hindu Surinamese women in The Netherlands following Sanātan Dharm to answer the research question: ‘Why does Hinduism act as a...Show moreThis paper explores why Hinduism acts as a source of empowerment for Hindu Surinamese women in The Netherlands following Sanātan Dharm to answer the research question: ‘Why does Hinduism act as a source of empowerment for Surinamese Hindu women in the Netherlands?’ Currently it is unknown how empowered Surinamese Hindu women pursue Hinduism in The Netherlands. This research investigates the cultural and religious aspects of Hinduism they implement to their lives, why Hinduism acts as a source of empowerment for Hindu Surinamese women, how they combine their Hindu lifestyle with the Western society and how they convey Hinduism. For this, interviews were conducted with twenty women. The outcome was that most respondents express themselves by implementing life lessons from the Bhagavad Gitā. Negative aspects of Hinduism are linked to the marginalization of lower caste and women, who believe everyone should be treated equally. The results indicate that all Hindus define Hinduism not only as a way of life but also connect Hinduism to various concepts such as dharma, arth, kām, moksh and more. Some respondents are vegetarian or do vrat once a week or on religious festivities. They mostly join and celebrate religious festivities. In difficult situations, Hinduism provides guidance, and various deities, such as Durgā Mā, Kāli Mā, Pārvati Mā, Sarasvati Mā, Lakshmi Mā, and Santoshi Mā, are a source of empowerment. Hinduism also brings family together with its culture and religion and provides solace in difficult situations. Although a part of the respondents think that Hinduism is marginalizing women, we can conclude that the positive influence of Hinduism to the extent that it empowers them outweighs this negative aspect. Besides empowerment Hinduism is linked to many more values, such as energy, love, confidence, and peace.Show less
This thesis examines displays of Chinese porcelain in Dutch museums and how they construct an image of China. Chinese commodities, especially porcelain, ended up in the Netherlands due to...Show moreThis thesis examines displays of Chinese porcelain in Dutch museums and how they construct an image of China. Chinese commodities, especially porcelain, ended up in the Netherlands due to increasing trade relations between Europe and China during the seventeenth century. Chinese porcelain was collected and put on display in Dutch interiors. This was mainly done to express the identity of the collector, thus reframing Chinese porcelain in a Dutch context. These porcelain collections eventually ended up in museum displays that framed Chinese porcelain within Western-centered and Orientalist frameworks. From the twenty-first century onwards, museum professionals have attempted to move beyond this Orientalist framework. This thesis aims to evaluate the narratives about Chinese porcelain and China that are being presented by twenty-first century displays of Chinese porcelain in Dutch museums. The analysis is performed through the observation of contemporary museum displays and focusses on the concept of framing. Attention is paid to aspects such as visual design, layout, and textual framing through object labels and wall panels. The analysis is used to evaluate the extent to which Dutch museums present Chinese porcelain as part of Western-centered and Orientalist narratives. The outcomes show that many museums still present a Western-centered narrative and use Orientalist modes of display which highlight the otherness of Chinese porcelain.Show less