In this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s...Show moreIn this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s It Can’t Happen Here. The former two novels do not explicitly engage with fascism, but aspects of the texts were linked to fascism by their authors. Faulkner retroactively referred to the character Percy Grimm from his book as a fascist, and Steinbeck linked the agriculture sector in California, which features heavily in his novel, to fascism. Lewis engages with fascism directly in It Can’t Happen Here as he envisions a fascist dictatorship in the United States. These texts are relevant today as fascism is not a concept of the past. They can be used to discuss visions of fascism in 1930s American Literature and what fascism may look like in the United States. I use a combination of close reading and the theory provided by Robert O. Paxton in The Anatomy of Fascism, as well as additional sources for necessary historical context to analyse each of the novels. I will argue that while only one of the novels explicitly engages with fascism, all three texts portray fascism to some extent and can be used to identify possible bases of fascist action.Show less
This research examines the construction of the ambiguous category of Jewishness through the affective ‘desire for Jewish identity’ expressed in a number of canonical post-war works of Jewish...Show moreThis research examines the construction of the ambiguous category of Jewishness through the affective ‘desire for Jewish identity’ expressed in a number of canonical post-war works of Jewish-American fiction by Philip Roth, Bernard Malamud, and Joshua Cohen. Building on recent work by Benjamin Schreier, Jonathan Freedman, and Walter Benn Michaels this thesis problematises the racial underpinning of Jewish identity, as well as reopening the broader question of the relation between race and culture in multicultural understandings of identity. Ultimately it makes an argument for the field of Jewish American studies to move away from a critical practice that begins with the prior category of “identity” towards one that places an analysis of the affective “desire for identity” at the heart of its critical project.Show less
A comparative analysis between Nella Larsen’s Passing, Toni Morrison’s The Bluest Eye and Brit Bennett’s The Vanishing Half. The thesis explores the texts through the lens of trauma theory and...Show moreA comparative analysis between Nella Larsen’s Passing, Toni Morrison’s The Bluest Eye and Brit Bennett’s The Vanishing Half. The thesis explores the texts through the lens of trauma theory and postcolonial theory and considers the relation between trauma, colorism and passing. It finds that even though all three novels challenged the notions of colorism (at their time of publication) through the use of narrative stylistics, they all use different strategies to achieve this objective. To be more specific, while Passing and The Bluest Eye use a narrative style which is associated with Modernism and Postmodernism, The Vanishing Half adopts narrative devices which can be best explained with postcolonial theory.Show less
Adaptations of alternate history scenarios allow for an exploration of contemporary issues and concerns in a distanced yet familiar world. Each chapter of this thesis covers a case study of a...Show moreAdaptations of alternate history scenarios allow for an exploration of contemporary issues and concerns in a distanced yet familiar world. Each chapter of this thesis covers a case study of a recent adaptation of such an alternate history narrative: The Man in the High Castle (2015-2019), The Plot Against America (2020) and Watchmen (2019). These case studies explore how the adaptation revises the original text in order to captivate a contemporary audience and expose present-day issues in America. Through these case studies, this thesis proposes that, rather than functioning as warnings, the alternate America settings in these adaptations function as a reflection of actual America in the late 2010s, which allows for an exploration and critique of American society’s response and susceptibility to ideological and populist movements in times of crisis, and an reconsideration of racial inequality as America’s defining issue.Show less
This thesis analyzes the depiction of Abraham Lincoln in two novels of the previous decade that include elements of the supernatural: Lincoln in the Bardo (2017) by George Saunders, and Abraham...Show moreThis thesis analyzes the depiction of Abraham Lincoln in two novels of the previous decade that include elements of the supernatural: Lincoln in the Bardo (2017) by George Saunders, and Abraham Lincoln, Vampire Hunter (2011) by Seth Grahame-Smith. With a focus on Lincoln's images as Savior of the Union and as The Great Emancipator, this thesis demonstrates in what ways the novels use the supernatural in their portrayal of the President and how this use contributes to the cultural memory of Lincoln that continues to exist in the United States today.Show less
This thesis discusses Margaret Atwood’s The Handmaid’s Tale (1985) in relation to Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861) and examines to what extent Atwood used Jacobs’s...Show moreThis thesis discusses Margaret Atwood’s The Handmaid’s Tale (1985) in relation to Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861) and examines to what extent Atwood used Jacobs’s slave narrative as a template for her dystopian novel. With this comparison, this thesis considers whether Atwood’s novel marginalizes Afro-American experiences of slavery and to what extent The Handmaid’s Tale can be seen as a product of white feminism through a focus on the concept of intersectionality.Show less
This thesis analyzes the making of Justice Ruth Bader Ginsburg as a popular cultural celebrity in and through three cultural texts: the biopic 'On the Basis of Sex', the documentary 'RBG', and the...Show moreThis thesis analyzes the making of Justice Ruth Bader Ginsburg as a popular cultural celebrity in and through three cultural texts: the biopic 'On the Basis of Sex', the documentary 'RBG', and the book 'My Own Words'. The central concern is to explore how each primary source navigates the paradox of the impassioned celebrity figure, where there is a specific focus on the personal, and the dispassionate Supreme Court Justice, whose role is to be impersonal and ‘blind’. I argue that it is the careful construction of Ginsburg’s public persona by herself, and others engaged in representing her, that navigates this issue. Subsequently, I conclude that this negotiation is not to increase Ginsburg’s ego or material gain, but functions as a means to promote and strengthen the institution of the Supreme Court of the United States.Show less
