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Great Expectations In Film; How Adaptations Depict the Complexity of Pip’s Identity
The Child's Perspective in Henry James' What Maisie Knew and Harper Lee's To Kill a Mockingbird
Fear and Wonder in Science Fiction Cinema - Gender, the Individual and Technology in Metropolis and Mad Max: Fury Road
Mother Tongue Interference in Students’ Writing at a Dutch Secondary School
Second-Generation Trauma in Spiegelman’s Maus and Friedman’s Nightfather
A Wild, Frantic Bird: The Mirroring Figures of Jane and Bertha in Jane Eyre and Wide Sargasso Sea
RADICALISM AND REDESIGN OF LIVING SPACES IN GILMAN’S WOMEN AND ECONOMICS AND FRIEDAN’S THE FEMININE MYSTIQUE
President-Elect vs. Kersverse President: Translating Politics in Netflix’s House of Cards
Stylistics, Gender, and Genre in The Miller's Tale
Two Decades of Cantonese-English Code-Switching in Hong Kong
Variation in the Production of Dental Fricatives in English Dialects: Underlying Factors of a Present-Day Sound Change
The Evolution of Traditional Characteristics of  Courtly Love in Contemporary Romance Narratives
All Shook Up: On the assessment of English to Dutch Song Translation by Applying Peter Low's Pentathlon Principle
Quite Interesting; a Thesis on Language.
”Runes Carved to My Memory”: The Adaptation of Old Norse Saga and Viking History in Metal Music
Anglo-Saxon Medicine: How Magical Was It?
Swiping in English and Dutch: The Interaction between R-Pronouns and Modal Particles in Elliptical Questions
From Individual Psychological Novel to Intersubjective Family Drama: The Interpretive Netflix Series Adaptation of Shirley Jackson’s The Haunting of Hill House
“Dr. Watson, who is occasionally good enough to help me in my cases”:  An Exploration of the Character of Dr John H. Watson and His Often Overlooked Importance
Castilian Adult ESL Learners’ pronunciation of the English phonemes /v/ and /w/

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